The placement of things

Where’s my stuff?

The placement of things is important. As with medieval manuscripts, what is not stored properly is essentially lost to all humanity. After 20 years working online, I here report on where I keep things at present.

Public ok or intended: Google

My syllabuses are on Google Docs anyone can view, department business and drafts are Docs for others to share and edit, student surveys are in Google Forms. My slide presentations for class are Google Slides (it’s a damn shame you can’t do music easily on the slideshows – they really are letting it, um, slide). My talking head videos are on YouTube with captions.

MiraCosta College only: Canvas

As all our college’s instructors move to the Canvas LMS (more’s the pity), this becomes the default. Of course, once everyone has 143 course cards showing on their main screen, scroll weariness is bound to set in and many won’t be accessed. The extremely limited discussion functionality of the system will also discourage open discussion (as will the fact that admins can access it on request at any time). Nevertheless, campus projects as well as courses are popping up like so many daisies. I remember this happening with Blackboard. The college has a server where I kept my home page, but they declared these are being deleted due to security issues (which my pages didn’t have, BTW).

The only LTI I use in Canvas consistently is Perusall, where I have uploaded the primary sources for students to read and discuss. Hypothes.is is always on the back burner, as I wait for automatic group logins and an easier interface.

Stuff I want to control: Reclaim

My shared hosted account at Reclaim Hosting is where I am moving (or have moved) everything which I want control, including privacy settings. This blog is there.

It also serves my zillions of web pages that make up my class content (lectures, information pages, etc.) which I embed or link to from Canvas. I have left Dropbox and use Owncloud via the Reclaim server installation; I have left Netvibes and use TinyTinyRSS via the Reclaim server. I am still seeking a substitute for Diigo (which will import it as well).

Mail: Various + Gmail aggregation

MiraCosta has its own mail server, which uses Outlook, a system I find needlessly cumbersome and relatively feature-free. I POP that into Gmail — it’s only inconvenient when people use the Outlook groups. I have two Gmail accounts, one personal and one professional, inside Google, so that’s obviously Gmail. My main personal email is run from Reclaim with my domain, and IMAP’d into Gmail. All mail comes in with tags so I know what’s what. I also back up my Gmail to Apple Mail (which I don’t otherwise use).

Research

After much flailing around, it’s Zotero for gathering resources and bibliographical entries, and (at last) Scrivener for drafting. Manual backups to hard drives. Diigo still for gathering web resources (I’m still working on that – any suggestions for self-hosted?).

Things That Mustn’t Get Lost

Everything crucial is on hard drives: one for work, one for household, one for work media files, one that backs up the others. Dreamweaver to ftp back and forth to the Reclaim servers.

Bric a brac around the web

I’ve had more services close down on me than most people ever used, which helped foster my natural cynicism about web services. I still have a Tumblr account with things I have stored, though I rarely access it – it’s like a time capsule now. I have zillions of accounts (Slideshare, Blabber, things you’ve never heard of going back to the beginning of the millennium) that won’t let me delete them.

Videos that YouTube won’t serve, or for which I want excellent quality, are on Vimeo. I have a Pinterest account I sometimes use for collecting web images, and once used for an Honors class. I have a Flickr account that won’t be used anymore as they have created limits and pricing and I’m not sure why I need it, so it’s a time capsule too. I’d rather sort out how to do galleries on this blog.

Phones and downgrading

In several areas, I have remained static while others have moved on, because some things just work: Microsoft Word and Excel, Dreamweaver. The changeover to Canvas LMS left me unlikely to jump at new shiny technologies for teaching.

Privacy issues play havoc with my calendar. For decades I carried a paper calendar, first small, then large, then small again. Now I use the Calendar on my mobile phone, which is Google and Android, so it tries to force everything into the first category: Public. I don’t want my Calendar public. After trying to make different apps and reminders work on my phone, and being encouraged by this recent NY Times article, I am about to downgrade back to paper. I carry a paper notebook anyway, after (again) trying to use my phone. For notifications, I’ll set them manually — it’s a lot easier to do that for a few things than adjust them all for the rest of the crap.

Ethical issues are a problem with Facebook, where I belong to several groups and run the Online Teaching Group. For the latter, I have people asking to join for purposes that have nothing to do with sharing online teaching problems and solutions: I get requests from highly questionable “education” organizations, people who want to advertise, people soliciting sex or money. Combine this with Facebook’s privacy problems (I stopped using it for student groups long ago), and I am encouraged to downgrade (thus the new listserv).

Since I’m sure I’ve forgotten things here, I have not solved the medieval manuscript problem. But the things I need on a daily basis are much fewer than they used to be, when I spent much of my time exploring tools on the web. Call it the downgrading of my time, if you will.

Thus my best tech winner for 2019: the MUJI double-ring A6 notebook.

Surf report

If you’re from around here, you know what a surf report it: “moderate waves today, let’s call it waist-high” a la Scott Bass on KPBS radio.

This is a report of today’s web-surfing, which is kinda different. Sometimes it’s piled a lot higher than my waist, but today I learned a lot, much of it triggered by Twitter posts. I don’t think I’m the only one who uses the “like” heart to file things for later, so I could find these again.

History Assessments

Except the first one. Somehow I found the Stanford History Education Group, and their Beyond the Bubble assessments. I’m not sure why I’ve never heard of this, but it’s a collection of items for teaching U.S. History. While geared toward the high school AP crowd, the method here is quite useful for college history. The primary source is embedded into the assessment. So for example, there would be a newspaper engraving of a protest from Harper’s Weekly, then a short list of facts related to that engraving, then open short answer questions. Sometimes these asked students to assess the veracity of the document itself in light of the other facts, or they might ask the student to say what the source tells us about the era.

These are short (usually just two short answers) and there’s a rubric with each one, indicating the level (proficient, emergent, basic) of various student responses. Some even include sample student answers that one is likely to see. Although undoubtedly intended to be used solely by the instructor, it might be interesting to give the rubric to students and have them analyze their own work!

The site has many assessments that a teacher could download, but it was their design that gave me ideas, because I could create my own assessments for any primary source I have.

And it was kind of eerie that I had just changed all my Learning Units to be inside the assessments. I must be very trendy in terms of design!

Cycloramas

Next, I found a serious gap in my knowledge about the history of media. A tweet by Civil War historian Lisa Tendrich Frank led me to a Smithsonian Magazine article on the restoration of the cylcorama in Atlanta. Apparently, during the 1880s, cycloramas were a huge draw as entertainment. Painters created 360-degree paints, attached to the walls of a circular building, and people would come to experience it. The article notes a scene might have a dirt floor and some trees to add a reality-inducing effect.

Beginning in the 1880s, these completely circular paintings started appearing from half a dozen companies, such as the American Panorama Company in Milwaukee, where Atlanta’s canvas was conceived. APC employed more than a dozen German painters, led by a Leipzig native named Friedrich Heine.

Half a dozen companies? How could I not have known about this? This isn’t just virtual reality, it’s late 19th century entertainment for the people. The closest I’ve gotten to in-the-round entertainment was the film they used to have at Disneyland, America the Beautiful, a movie made with multiple cameras that surrounded you. Yeah, I know, in days where the Google truck drives through your neighborhood, this may seem archaic, but it was very cool.

So now I have a whole research area to discover.

Paratexts

Can I use this word in a sentence? It shouldn’t be new to me: it’s a word I keep bumping into, but somehow it never entered my thinking as something I could use.

A tweet by early Americanist Michelle Orihel sent me to Digital Paxton, and reading the post I had an Aha! moment. Advertising and editors’ notes and issue numbers, as included in Victorian periodicals, would be paratext! I may not have a theory, but I at least have a structure, an interpretation, a word I can use for what these types of things are.

Some days it’s enough to learn one new useful word.

Blackmail

The last item for today was a piece of email spam. Yes, I know you’re not supposed to open these, but there was no attachment and I decided to read it. I found it fascinating.

The title was:

Security Alert. lisa@lisahistory.net was compromised. Password must be changed.

The email went on to explain that my account had been hacked, my information and surfing habits downloaded, and they wanted money, paid in Bitcoin. The blackmailer explained how s/he got access:

How I made it:
In the software of the router, through which you went online, was a vulnerability.
I just hacked this router and placed my malicious code on it.
When you went online, my trojan was installed on the OS of your device.

I noticed that there aren’t any contractions where you’d expect, indicating this person does not speak English natively. The OS of my device?

They also claimed to know that I have pornographic habits:

A month ago, I wanted to lock your device and ask for a not big amount of btc to unlock.
But I looked at the sites that you regularly visit, and I was shocked by what I saw!!!
I’m talk you about sites for adults.

I want to say – you are a BIG pervert. Your fantasy is shifted far away from the normal course!

There’s a normal course for the viewing of pornography online? I had no idea. But that explains why so much money was being requested.

I’m know that you would not like to show these screenshots to your friends, relatives or colleagues.
I think $701 is a very, very small amount for my silence.
Besides, I have been spying on you for so long, having spent a lot of time!

Wait, $701? Cheap at twice the price!

After payment, my virus and dirty screenshots with your enjoys will be self-destruct automatically.
If I do not receive from you the specified amount, then your device will be locked, and all your contacts will receive a screenshots with your “enjoys”.

I guess we’ll see…

(Discovered after posting: turns out this is a known spam thing and I should dedicate as much worry about it as I have already done. So that’s five things learned online today!)

Writing history: theory and practice

I am examining historical theory again, in an effort to determine where my current research resides historiographically. It isn’t easy. But, since I have judged my own recently delivered paper to be somewhat amateurish in this regard, it is essential.

First, I have to keep in mind that theory is separate from method. Theoretical foundations seem to include the influences of philosophy, social science, economics, and politics. Each of these is its own field, each has many sub-disciplines, and theoretical approaches change over time. This lends to my endeavor a feeling of jumping on and off different sections of moving trains. Methodology can be influenced by theory. One may study a single document very closely, or exhaustively find every possible document on the subject, depending on what one is trying to do. I would describe my method as “traditional”, mostly reconstructionist in that I am trying to reconstruct the past in a way, and empirical in that I insist on “textual” evidence to support my contentions. I lean toward the scientifically rational rather than the creatively post-modern in both theory and method. This makes me, not to put too fine a point on it, old-fashioned.

Back when I was researching the English textile industry in the medieval and early modern periods, my work was clearly aligned with trends in economic history and, to a certain extent, the history of technology. Even if not directly related to my topic, Marxist theory held that different economic groups were in competition, and I showed that merchant and craft guilds were in conflict. But there was no theoretical construct, aside from historical geography, to underpin my argument about entrepreneurs moving the fulling process from town guild control into the hills due to technological advantage. That made my work automatically interdisciplinary. My methodology was traditional, at least in terms of economic history, but the theory was mixed. Nothing contained Marxist determinism, there was no Whiggish assumption of national progress, and I did not reject individual agency — rather I combined several different approaches.

I am in similar territory with my current work, straddling as it does Victorian Studies, the history of education, social history, political history, and biography. Since my last decade or so has been spent in educational theory and practice, particularly as regards online education, I need to update my knowledge before I continue writing.

Victorian Studies, as I discussed in a previous post, is of little help since it tends toward being anti-historical and more literary. Its connection to the history of culture seems to put it on a post-structuralist track that brings in more relativism than I’m comfortable with (see below). The history of education seems to be a discipline full of educationists/educators who do history, rather than historians who study education, although there are some exceptions to this. Political history seems a little more basic (apologies to political historians), since I think I am clear on the ways political behavior reflects the rest of the story I’m telling. To prepare for my application for a National Endowment of Humanities grant, I researched the current role of biography in historiographical thought, and joined the effort to reclaim biography as a valid lens for larger histories.

Rankean models

My guidebook for current historiography is Writing History: Theory and Practice (2nd ed, Bloomsbury 2010). Although a few years old, it’s organized in a meaningful way and declares its intention to focus on historiography only in its influence on historical writing. It’s also focused on British historians, which is helpful. Part I covers the “intellectual and institutional conditions in which professional history developed”. Given the dense and complex nature of the book (this is for students? really?), I was grateful we didn’t go back to contrasting Herodotus with Thucycides (though I’m happy to have my students do that using this article from The Atlantic). Instead, the professionalization of history begins in the 19th century, and Leopold von Ranke is a key figure. John Warren, author of the chapter, describes the tenets of Rankeanism as:

the (albeit partial) reality of objectivity, the possibility of meaningful interpretation of documentary evidence in an equally meaningful attempt to understand the past on its own terms, a rejection of the distortion of that evidence with personal and present needs in mind (p24).

             Leopold von Ranke, 1871

This is essentially (a word one uses carefully around theorists) the basic approach of traditional historical scholarship. Warren warns of the danger of paring this down to slogans like “let the past speak for itself” — other historians felt that Ranke’s theory could be relativist, although the rejection of distortion is designed to prevent that. Warren comes down hard on writers like Macaulay (for creating drama and caricatures) and Carlyle (for using history to fight his own battles — see my previous post on Carlyle) and Buckle (whose Comtean positivism made him deterministic). Lord Acton opposed Ranke, insisting that once the facts had been determined, the historian had a duty to impose morality (p30). This argument reminded me of American historian Howard Zinn, whose lectures told me that I had a duty in the classroom to share my point of view (“you can’t be neutral on a moving train”). The section on Louis Namier confused me. Warren accused Namier of using his own psychological issues to guide his methodology (he studied the letters of 18th century MPs to show that their positions were self-centered rather than principled, but ignored parliamentary debates). It seemed to me that Warren was doing the same thing in emphasizing Namier’s relationship with his father as an explanation for his method.

Marxist historiography

I felt quite comfortable in the chapter on Marxist history (I loved reading Christopher Hill and Eric Hobsbawm in college, and visited the latter’s grave at Highgate). Social and economic forces are inextricably entwined, and it never seemed necessary to rely on the deterministic nature of Marxism (after all, the revolution Marx predicted in Germany did not come to pass). The importance of the Marxist interpretation was not in calling for a socialist world, but in opposing triumphalist, nationalist British history, and by implication anyone else’s triumphalist, nationalist history, including America’s. (Who couldn’t get behind that in the 1970s and 80s, when I was in school?) For example, E.P. Thompson’s 1963 The Making of the English Working Class

…advanced an eloquent counter-narrative to gradualist versions of British history as the triumphal march of parliamentary evolution, grounding the latter in violence, inequality and exploitation instead. (p74)

Power to the people! And I realized in this one quotation that this is a theme in my work: social inequality exacerbated by unequal access to higher education.

And, the Marxists were eloquent — that’s why I enjoyed reading them. (This isn’t true anymore — I’d rather read The Spectator than The New Statesman any day.)

Marxist history may not have held sway continually for the past fifty years, but it seems to me like a constant hum, an engine that continues to drive historical studies. I’ll get to the post-structuralists in a moment, but they wouldn’t exist without the Marxist emphasis on class struggle, the insistence that the voices of the downtrodden must be heard. It’s just that the downtrodden are seen in terms of different identities now, and the methodology has far less Rankean rigor.

Positivism and progress

In John Harvey’s chapter on “History and the social sciences”, post-modernism threatened the faith in empiricism and scientific objectivity that was apparently embedded in the social sciences. Claiming that they grew from Enlightenment roots, the social sciences were apparently dependent on the idea of progress. I keep saying “apparently” because I have never seen the social sciences this way, as rooted that deeply in science, but rather as rooted in social theory. Harvey claims they were reliant on ideas of human progress over time. Around the time of von Ranke, professional historians distanced themselves from social theory through the idea of “historicism”, which I would call the supremacy of context — the idea that any interpretation can only be understood within its historical conditions (pp82-83). The rigorous method, reliant on evidence, was scientific, like the positivism that became popular with Comte. But another approach, used by “amateur” historians, was to develop basic laws of analysis and social progress, and theories that used imagination rather than evidence. This conflict between professional and amateur can be understood through what Spencer did to Darwin’s theory of natural selection, applying it to human cultures and creating the underpinnings for prejudice and conquest. (I suspect that something similar happened in anthropology, and led to the social construction of “race”, but for that I’ll need to return another time to Miles Rosenberg’s chapter on “Race, ethnicity and history”.)

The main idea here seems to be that historians would eventually reject positivism, and indeed all theoretical constructs that saw human progress on a continual incline. In an attempt to make history predictive, social scientists created models that may have reflected ideals rather than empirical analysis. Max Weber is accused of this, in his analysis of capitalism as leading to a steady increase in social equality (I love him anyway). In contrast, American historians (“The New Historians”) helped challenge assumptions that national histories show an increase in moral good, for example when Charles Beard claimed that the Founders had created a liberal constitution with the purpose of enriching themselves (1913).

The discussion of individual agency versus society’s forces comes into play here. Structuralists privileged social forces over individual action, while functionalists saw social organizations as “the cumulative result of the efforts of individual agents to meet their own interests” (p 97). Modernization theory was led by American historians, who saw modernity as the creation of  rationally-minded societies, with the end being a harmonious world. Historical actors who prevent such progress are the bad guys. It’s this sort of meta-narrative that would be critiqued by…

Poststructuralism

I confess that at this point I was having trouble discerning the details from the overall movements that affected historical writing, so instead of going through the other chapters on anthropology and the Annales school (about which I know something) and psychoanalysis (about which I know little), I tried to get closer to an understanding of how history is done today. That was the chapter on “Poststructuralism and history”, by one of the book’s editors, Kevin Passmore.

Here we start with the divergence of history from literature, yet another 19th century phenomenon. Eventually, some historians go on to challenge the whole traditional, Rankean idea of knowing the past through evidence. In modern times, this takes the form of postmodernism, because modernist history used historical techniques and research that were considered “professional” rather than amateur. Post-modernism questions whether there is deep meaning at all. Instead there are simply forms of representation. Post-structuralism works with the representation of language particularly, where words are only signifiers dependent on other signifiers. There is no concrete truth. Rather language constructs perception, and here’s where it gets tricky.

Michel Foucault, who appears in many graduate student papers

Apparently this perception is constructed through binary opposites. You cannot know what dark is without light. During the 1960s, scholars like Hayden White went further, arguing that history is basically a series of literary tropes (tragedy, comedy) that use historical events as characters. Michel Foucault questioned the modern narrative of progress and reason as framing the story of the west. At the same time, he continued to use the evidential method. But Jacques Derrida went further. If structuralists reduced everything to binary opposites, post-structuralists see that even this meaning fluctuates (pp 127-128). Derrida thus “deconstructed” history, preventing its construction from having any meaning at all. “Class” for example, is constructed and changes in meaning, so it cannot be used as an “essential” category within which to analyze historical events. Thus post-structuralists went gunning for the Marxist historians, especially E. P. Thompson’s The Making of the English Working Class.

Thompson was a social historian, which makes me suspect that “social historian” and “Marxist historian” may be seen as the same thing. Post-structuralists attacked him. White said that he used narrative tropes, Robert Berkhofer claimed that history is about interpretations and therefore no interpretation can reconstruct the past. I would argue that you cannot “reconstruct” the past through historical analysis, anymore than you can “accurately” represent the present. People may witness the same event and see different things. The “objective” or “real” past that these philosophers are fighting over never did exist, just as there is no “objective” or “real” present if you consider all the different interpretations of many different people. All anyone can do is consider as many perspectives as make sense, and judge them according to whatever construct they have.

That’s what bothers me about the trends today – the construct being used by angry people, angry at injustice and moral violations, is not even trying to create a “real” past. The effort to do so is at the heart of traditional historical method. Without the effort to be objective, there’s no point gathering the evidence. I also cannot accept the moral relativism implied in the idea that “nothing can be known, so every interpretation has the same value”. I also find such history “romantic” rather than rational or scientific, since it presents the goal of history as being some sort of goodness. Society should be fair and just and right. People should be free and compassionate and collective. When all of this doesn’t happen, contemporary historians go all to pieces and start cherry-picking evidence.

My work

How does all of this inform my work? It clearly makes me, as I suspected before, a traditional, empirical, evidential historian. I admit to a meta-narrative of unfairness being a Bad Thing, but I also think it’s important to understand the sincerity of those who justified unfairness at the time (context!). That probably makes me a classic Marxist social historian. The question is whether it’s possible to write history today without carrying the Marxist social history tradition thread all the way through post-structuralism.

I will not pretend to a deep understanding of any of this through reading a few pertinent chapters, and I’m sure I’ll be returning to this book. There are important points in the chapters on economic history (where more recent historians are developing broader views of “the economy” in a way that incorporates the moral issues and social interactions of the time), gender history (which could be seen as just a type of social history), and intellectual history (which seems to have a more creative streak than I previously understood). But in each chapter I note the influence of postmodern and post-structuralist ideas, and I am trying to understand that their benefit is in opening up history to be more inclusive. But I confess I get stuck when what we’re including are emotions which may cloud judgement, creativity that may endanger objectivity, and suppositions that may not be based in evidence. I still can’t hold with that, and will instead move on to the historiography of the History of Education.

The other time machine

On my travel iBook I have a sticker of a TARDIS, because my computer is a time machine (it’s also bigger on the inside than the outside).

I’ve been doing more reading in the book Culture and Education (1990), and found a paper that explored the topic of student tutors in the 19th century, and their similarity to student assistants in modern American graduate schools. I was delighted, since my own work is somewhat similar in methodology and theme.

It was written by a Myron Tuman. Since I don’t find many scholars to talk with about my work, I thought I’d look him up on the web. What happened was a time machine journey.

Academia.edu took me to his work going back to at least 1988, although it didn’t list this article I’d been reading. I discovered he had published also about online and computer issues as we both entered the increasingly online world of education. I tried to find him at the University of Alabama website, but he isn’t listed now.

I found him at RateMyProfessors, where some students laid into him back in 2006. Last month the Tuscaloosa News published a retrospective that mentioned him earning an Outstanding Professor award 25 years ago (that would be about the same time I was awarded mine). I found him on Facebook, where he posted up to the end of last year, mostly family stuff. And finally, Constant Contact took me to his retirement party (looks like about two years ago), with photos of Myron enjoying the celebration.

In other words, I went through someone’s whole career in 15 minutes, a career that ran parallel to mine in several respects. Given the recent “radio silence”, I don’t know whether I would contact him now, but in some ways it feels like I already have. That’s disorienting, to say the least.

Mass producing instructions

One of the most annoying things about teaching many sections using an LMS is that instructions must be repeated in so many places. Partly this is because people forget from one week to the next what the instructions are, so proximity of instructions to a specific task is necessary. And we all know that students do better when instructions are repeated and reminded in at least three places.

But what happens when you want to change instructions for a particular kind of assignment?

For example, I have a set of writing instructions, one each for Writing Assignments I, II, and III. When I want to change instructions for these, I have to go into Canvas and change them one at a time. Well, that’s only three sets of instructions each for five classes, and I can cut and paste.

But I realized I wanted to change instructions for a weekly assignment, my annotation discussion. That’s 16 times for each class. I wanted all of them changed to say:

Let’s add depth to our sources, and help everyone understand them. Some ideas for how to do this:

  • at least one person should highlight the thesis or main point of each document, or speculate on what it might be if it isn’t obvious
  • post a question or two where appropriate in the document (use the question mark on your comment, or use @ to get someone’s attention)
  • answer the questions of others
  • select something you found confusing or fascinating, look it up, and tell us about what you found
  • find aspects of the primary source that seem to connect to the textbook and lecture, and tell us how they connect
  • use the picture tool to add visual sources or illustrate a point

Since this is a discussion, entries which respond, enlighten, or clarify earn more points (the phrase “I agree” is specifically disallowed!).

Comments need not be long – it’s more important to annotate throughout the document (with comments in many different areas throughout the various documents), discuss with colleagues, and make connections.

So I started doing that for 16 weeks of discussion in a course, copying and pasting for each instance. When I was done, I had to do it for the next class, and suddenly I thought, wait a minute. Why not use a web page and embed it? So I made a web page with the instructions in Dreamweaver. Then I pasted this code in the Canvas assignment:

<p><iframe src=”https://lisahistory.net/pages/docdisc.htm” width=”90%” height=”360px”></iframe></p>

I can embed it anywhere, even here:

The reason to do this isn’t just to save pasting something 16 times, since I still have to paste this 16 times. But I only have to change it 16 times once, if you follow me. If my instructions change next semester (or if I decide I forgot to add something now), I just change it on the web page, and it changes everywhere. So I’m doing it for all instructions for all assignments.

*Now, to do this sort of thing exactly as I did, you need to make a web page and serve it. But you could do it in a Google Doc, and have Google serve it for you, by sharing your Doc and using the code I shared in my recent post, which looks the same but with a Google Doc URL, like this:

<iframe src=”https://docs.google.com/document/d/1VPObOkwoBVM5GVXgXCbdKU48Cs_ZRnS-ZJLIpZYMNJE/edit?usp=sharing?embedded=true&rm=minimal&headers=false” width=”99%” height=”360px”></iframe>

I just don’t like it because you can’t really prevent scrolling easily.

Embedding Google Doc in Canvas with extras

Last year I began creating all my syllabuses in Google Docs and embedding them in Canvas.

It was possible then to just take the URL of your Doc, and put it into an iframe, with any extras you like. I liked to remove the ruler and navigation at the top of the Doc (rm=minimal), remove the headers (headers=false) and set the width and height (width 99%, height 1200px). It was working fine, and looked like this:

<iframe src="https://docs.google.com/document/d/165o30E5jiFE2zUBecH6kZL3D3eTs3Dnmal8K80P8bvY/edit?rm=minimal&headers=false" width="99%" height="1200px"></iframe>

Well, now something (Canvas or Google) won’t let that happen, and you must follow the instructions for publishing your Doc to the web. Here are instructions from Tufts. Trouble is, that gives you the set iframe code to paste in, but you don’t have the extras. So here’s how I added them.

What Google publishing gave me was this:

<iframe src="https://docs.google.com/document/d/e/2PACX-1vSpS0g-4SIpMzCvSRpukiKFPX5T5PDh9Xv9uo_8d3bNyBQ5ZodmqnYoRKjTFIaZQpqr8F9yJbnVlaj-/pub?embedded=true"></iframe>

Here are the changes I made:

<iframe src="https://docs.google.com/document/d/e/2PACX-1vSpS0g-4SIpMzCvSRpukiKFPX5T5PDh9Xv9uo_8d3bNyBQ5ZodmqnYoRKjTFIaZQpqr8F9yJbnVlaj-/pub?embedded=true&rm=minimal&headers=false" width="99%" height="1200px"></iframe>

Unfortunately, this wasn’t good because “publishing” a Doc in Google freezes it somehow, and doesn’t always include the images or proper formatting. Also, I couldn’t edit the Doc from inside Canvas, which is nice to be able to do.

The better solution was to use Share rather than Publish. In the Doc, click on Share, and copy the “get shareable link” URL. Then put it into the iframe code:

<iframe src="https://docs.google.com/document/d/1MN8nGYzZvXOmOmfAPvfkAzPTm82bz1VFVpUiiI55xlc/edit?usp=sharing?embedded=true&rm=minimal&headers=false" width="99%" height="1200px"></iframe>

 

 

I also provide a link, of course, for easier printing.

 

(Updated post)

 

Dipping a toe into Digital Humanities: word clouds

The term “digital humanities” has always confused me. When I first heard it, I assumed it was what I was already doing – applying digital approaches to humanities research and teaching.

But no. Digital Humanities seems to be about applying certain elements of computer science to the humanities, with emphasis on quantification. At least, that’s how I’d put it. Wikipedia says, “the systematic use of digital resources in the humanities, as well as the reflection on their application”. Stanford University says, “Digital humanities foster collaboration and traverse disciplines and methodological orientations, with projects to digitize archival materials for posterity, to map the exchange and transmission of ideas in history, and to study the evolution of common words over the centuries.”

[I am treading carefully here, since the term is now used by people who have professionalized the subject. Like most new disciplines, it’s already questioning itself.]

When I come across the term, it usually involves word counts, tallying the number of times a word or words is used in a text. I think that makes Wordle one of the first digital humanities tools. Wordle was an applet created by Jonathan Feinberg ten years ago. It counted the number of times a word appeared in a text, and created a tag cloud, with more frequent terms in larger text.

So using another progam, Jason Davies’ Word Cloud Generator, let’s see what happens.

For example, here’s the Declaration of Independence using 400 most-used words:

 

There are many uses for such an approach. I can compare it, for example, to Magna Carta.

where there is far less about the people.

Even without a word cloud, one can use a basic word search of one can get a whole document in a browser window. So if I have the declaration here, and I do a “find” for the word people, it tells me it’s there 10 times.

So today (stand back!) I’m going to apply this method to HG Wells’ autobiography.

The 19,332 words that result after removing the table of contents and the index took 7 minutes to process (with all words counted):

Hmmm. “Peace” is big, and “Nazi” is small. “Work”, “world”, “now”, “man” “life” are all big. “New” and “still” are the same size. There is no representation of the personality of the piece, which is part of the purpose, except in the words themselves. But really, not very helpful. What if I limit results to the top 25 words?

A little better, but hardly revealing.

Fiction, however, often fares better. That’s why it’s digital humanities, not digital biography. Taking The Sea Raiders by HG Wells at 25 words, we get:

Tentacles! Creatures! Well, that’s more fun, anyway.

Given the current environment in social discourse, digital humanities techniques are being used to ferret out trends in speeches, maps, and censuses, to demonstrate sexism or racism. So the use goes far beyond word clouds.

But I’m still sad. No digital humanities grants for me.

Standardizing what’s good

Every October, I work on my classes for next term. Partly this is because the spring schedule comes out the third week of the month, and partly because October has always been particularly difficult for morale and motivation (mine as well as the students’). I’m not sure why. Could be the lack of any real holiday except Halloween (Columbus Day is tainted and it was never a day off anyway), or just mid-term blues.

That’s my excuse anyway, since I’m not supposed to be doing this till after my sabbatical is over. But I am still doing my reading and research. Prepping is more like a break, because mostly what I’m doing is changing settings rather than creating things. It turns me into a non-thinking machine, changing hundreds of due dates and adding lots of links (why aren’t we at a place where I can assign this to someone?). Definitely mindless.

I’ve decided I like the sources and readings for my classes, I like my lectures, so no changes are needed. But at the end of last term, I added two elements to my weekly coursework for two of my classes, then tested again for three this summer. These elements are “Check primary source for points” and “Submit lecture notes”.

So once I’m done, the weekly tasks for each class I teach online will be this:

  • Due Wednesday:
    • Read the textbook
    • Read/listen to lecture
    • Research and post primary source
    • Check primary source for points
  • Due Sunday:
    • Read and discuss the documents
    • Submit lecture notes
    • Quiz

In addition, for the first two weeks there are multi-pages quizzed Learning Units about primary sources. And, three times during the semester, there are Learning Units for the next writing assignment followed by the assignment itself. Writing Assignments are based only on the sources that have been posted in the Boards by the class, and have a scaffolded format that I created myself, so they are difficult if not impossible to purchase or plagiarize. The Final Essay, for the full-term sessions, is based on the third writing assignment, and folds into the grading for Writing Assignments.

“Read the textbook” is linked to the actual textbook pages, except for the one class where I’m still using a purchased book.

“Read/listen to lecture” is linked to my online lectures, hosted on my rented server, which contain audio of me reading the lecture, video clips, etc.

“Research and post primary source” is the laboratory type posting, on a discussion board, of visual primary sources students find on the web, with citations and student commentary.

“Check primary source for points” is a one-question quiz checklist of all the things required for full points on a primary source (image, author, title, date, live link, commentary), so it’s a self-evaluation of their own source, instantly graded.

“Read and discuss the documents” is annotating the assigned textual sources using Perusall inside Canvas as an LTI, which assigns points automatically but I do have to check through all of them and make sure they’re right.

“Submit lecture notes” automatically assigns 2 points when they submit them, and they can be in any format, including images of handwritten notes.

“Quiz” is a multiple-choice quiz based on lecture, documents, and textbook readings.

The grading breakdown is:

Read and discuss the documents 20%
Quizzes 20%
Primary Sources 20%
Lecture Notes 10%
Learning Units 10%
Writing Assignments 20%

Right now, the only class that varies from this is the one US History where I have full discussion. In that class, it’s:

Homework 20%
Lecture notes 20%
Writing Assignments 20%
Discussion 20%
Constitution exercise 10%
Final Essay 10%

The pedagogy, briefly, is based on emphasizing task completion, with grading considerations as secondary. Each individual assignment is low stakes, though with only three or four writing assignments, the stakes are higher for putting all the knowledge together. Assignments that can be graded immediately (quizzes, learning unit knowledge checks self-assessed primary source points, lecture notes) are, so that students can get immediate feedback (yes, I reserve the right to change points if there are inaccuracies or instructions aren’t followed). The addition of lecture notes and self-assessed primary source points adds a metacognitive learning aspect. The work of doing history is engaged in multiple ways, including reading, writing, discovery, sharing, and visual analysis.

Student choice is built in, in several ways. Students choose their own primary sources to post, and their own topics for writing assignments. They can choose which days they work, so long as deadlines are met (each unit opens a week in advance). Lecture note format is up to them, to meet their own note-taking style. Since each individual item is low points, they can choose to miss one or two without it doing serious grade damage. Two attempts are given for self-graded items, so they can go back and correct something without penalty.

My role is guide on the side, in the middle, at the front, and in the end. Instead of grading constantly, I spend my time reading their notes, viewing their posted primary sources, answering questions, writing weekly or twice-weekly communications, conversing with students in the Perusall annotations, and yes, grading their writing assignments. I have had no complaints about how much work the courses are, since most of the things I’m requesting (like lecture notes) are common to on-site classes. Some students appreciate the trust, and the autodidactic opportunities. Others appreciate that I’m there for them, and respond quickly to their individual messages. (On this, I’ve decided that students want the individual approach, but not necessarily for class content – rather they want it for their individual problems and issues, most of which have nothing to do with the subject. My method leaves time for that.) And I can grade more generously, because the point is to do the work, be the historian, rather than show me you’re good enough to do history without me.

There is also something interesting about having the courses this structured. The course itself seems to be its own entity, has its own trajectory and completeness. It is almost like it’s me, the students, and the course. The students and I interact with the course together, instead of the course acting as a weapon with which I beat students using grades. This goes along with the LMS (Canvas – blech), which the students and I can work in (and on, when things go wrong) together — it’s them and me against the system.

So although on the one hand I don’t like the idea of standardizing courses, in this case I’m standardizing what’s good, what works, what meets my pedagogical goals. I am free to change readings, lectures, materials, instructions, at any time. After 20 years of building these courses, I think I’m onto something less subject to the vagaries of passing fads (personalized learning, individual learning styles), dangerous web spaces (MOOCs, open education), and changing jargon (student learning outcomes, guided pathways), and more founded in solid pedagogy.

 

 

Historical correction (and Ruskin)

Over two years ago I wrote a post that got no comment nor many readers. It was one of the only posts where I shared my discomfort with today’s identity politics.

Then this week, I received an announcement of some workshops at the college designed to engender “cultural sustaining pedagogies”. I wrote a five paragraph response to the ideas contained within this concept, explaining my views supporting universal principles over the perceived needs of particular groups, be they racial, age-based, cultural, gender, or otherwise. Having spent several hours writing, I realized there was no one to whom I could send it, and nowhere I could post it, without endangering my job and quite a few working relationships that were important to me. At the same time I realized that this was what was wanted, my refusal to engage, because the entire pretext is that I am not worthy to discuss any of these issues.

But when one attacks history, however, as a discipline, I do feel a professional responsibility. I did some reading about culturally sustainable pedagogies (cuz I’m always in for good pedagogy), and at one point was led to this article on How Racism and Patriarchy is Taught at School, published just a few days ago. It was about truth versus distortion in history textbooks and class materials, and cited as heinous examples phrases like black slaves were people “who came to work on plantations” and “[s]ome slaves reported that their masters treated them kindly”. Now the first of these is distorted enough to be an untruth: slaves did not “come” to work — they were forced and they were brought. Factually, they did not “come to work on plantations”, either — they were sold for whatever the buyer wanted them for. But the second quotation is not factually incorrect. Some slaves did report that their masters treated them kindly. There are primary sources where they say so, and I assign them. I then discuss with my students why they might have said so, what influences there might have been on their perceptions and testimony. But the truth is that they did report this kindness. So we are not replacing lies with truth. We are replacing nuanced views requiring discussion, with untruth.

The article mentioned how teachers should use the website Teaching Tolerance to teach “the truth” of the past. So I went to the site (which is sponsored by the ever laudable Southern Poverty Law Center), and it recommended a “formative assessment” for students. I link it here. Several of the questions are loaded or misleading. For example:

In the Declaration of Independence, what percentage of enslaved people were included in the line “We hold these truths to be self-evident: that all men are created equal; that they are endowed by their creator with certain unalienable rights; that among these are life, liberty and the pursuit of happiness.”

You are supposed to answer 0%, or you’re wrong. This question demonstrates the same sort of oversimplification argued against in the article, just to the other side. Jefferson, like many of his contemporaries, were intellectually and morally conflicted by slavery, but stated in a number of places that men may be created equal, but were then subjected to unequal environments, treatment, birthrights, intelligence, etc. Some included women in “men”, while others did not. 18th century intellectuals argued the many sides of these issues. The “line” about equality was likely written by one man, approved by a committee of five, and agreed to and signed by the 2nd Continental Congress. Some had slaves, some didn’t, some had never owned slaves, some made money off the slave trade, some had vowed to release their slaves within a year, others had promised to release them upon their death, and many worried about slavery in its various impacts, discussing its moral, economic, and intellectual problems. To say that slaves were definitely included would be false. To say that they were all excluded would also be false.

The included Teacher Guide says: “The promise of equality and liberty in the Declaration did not extend to any enslaved people. ” But the passage from the Declaration does not promise equality or liberty. It declares them as natural rights. In fact, the Declaration of Independence doesn’t promise anything to anyone — it lays out an argument and justification for breaking away from Great Britain.

Later on the quiz there’s this question:

Which was the reason the South seceded from the Union?

– To preserve states’ rights
– To preserve slavery
– To protest taxes on imported goods
– To avoid rapid industrialization

You’re supposed to answer “to preserve slavery”. Yes, indeed. But the reason? The only reason? The main reason? There are no historical events with only one cause, and even the extremes of post-modern historicism admit to multiple explanations if not causation.

The Teacher Guide to this question says, “Every secession document cites slavery as the main reason the southern states seceded.” I have not reviewed every secession document, and I’m not sure whether this means official documents from the states, or whether it also includes letters, diaries, etc. Quite a few both official and unofficial documents also talk about states’ rights, but not always in those terms. A great many talk about freedom and independence, particularly in the context of the American Revolution. Preserving slavery was often discussed within a context of property and ownership, even by people who didn’t own slaves or didn’t care for it as an institution. To not understand and discuss these complexities is to commit presentism (the application of the values of ones own era to the circumstances of the past). Presentism, although increasingly popular, does not actually lead to a rational understanding, but rather a “stand”.

The article also says that our country was “quite literally founded on the slaughter, colonization, enslavement, segregation, and ongoing systematic oppression of millions of indigenous peoples and people of color”. Yes, indeed. But it was also founded on ideals, some of which are worthy discussing and defending. We might want to start with representation, open debate, or any of the rights listed in the first ten amendments to the Constitution.

So none of this is really about truth. It’s about correction. It’s about grievance. It’s about telling the other side, because it isn’t being told. A worthy goal, certainly. Telling the stories that haven’t been told is a main responsibility (and joy) of historical work. It’s why we’re here. But the goal isn’t to replace Storyline A with Storyline Z. It’s to understand how both storylines interact, to whose benefit one side takes precedence, and to what extent evidence supports the stories.

But lest we think these issues are new, I’ve also encountered them in reading today about the man I cannot avoid in my work, although I don’t like him: John Ruskin. In Judith Stoddart’s article* on his Fors Clavigera, I learned about Ruskin’s push to develop cultural literacy in working people with whom he admittedly not only had little in common, but didn’t know very well as individuals. What he did know, however, were big social and political trends, and what he saw was a lower class that was forming into groups to create solutions for their grievances.

In brief, Ruskin saw a grievance culture, and radical groups loosely based on socialist ideals without actually examining them (he was likely thinking of the Paris Commune, for example). Their grievances focused on class-based social hierarchy, even though that was not, to Ruskin, the root of the problem. The problem was moral, not structural. Some people may have more of some things in society, and others less, but the people with less simply taking the things from those who have more does not create a moral system. In fact, it just puts the lower classes into the immoral position that the upper classes had occupied. The problem of capitalist, industrial exploitation cannot be solved by the exploited becoming the exploiters. It is solved by doing away with exploitation.

Ruskin thus had just as much sympathy for the conditions of working people as 19th century radical politicians did. Education was the solution, but it was moral education that was needed. This was not “character education” or brainwashing, or even Christian education (though Ruskin himself was pretty darned devout). Subjects like music, astronomy, and botany, for example, could teach that things in life have an order that can be understood (p53). Understanding the universal concept of order could thus underpin the planning of political action. Basic principles could then be applied in a rational way according to the needs of both society and the individual. Ruskin aimed to “replace class consciousness by cultural consensus” (p45). Movements that engaged in action without any philosophical underpinnings were dangerous, because they displaced morality, elevating the same greed and selfishness that had been protested against in the first place.

Even before Stoddart began comparing Ruskin with Alan Bloom’s ideas of cultural literacy midway through the article, I saw connections to today. We have political and social movements, on both left and right, that are not based on moral philosophical underpinnings, except in their insistence that they are. The oppressed may become the oppressors, claiming their own truth and the inadequacy of all other truths, but that does not solve the problem. It is oppression itself that must be eliminated. The problem of people being silenced necessitates eliminating silence, not applying it to those who speak. Kindness, goodwill, and understanding are universals, not privileges withheld from some groups and given to others. It is not only unnecessary to prevent talking about incomplete ways of understanding the past, it is essential that we encourage such talk to make the historical picture more complete.

If one is trying to create Ruskin’s cultural consensus, then the intention of education should be to examine views based on what human beings have in common. The elements that bind humanity together should be openly available to discuss and to use. These elements may change over time, but to abandon a search for larger truths in a headlong drive to redress grievances will be of no more help now than it was in the 1870s.

 

*Judith Stoddard, “The Formation of the Working Classes: John Ruskin’s Fors Clavigera as a Manual of Cultural Literacy”, in Culture and Education in Victorian England, Patrick Scott and Pauline Fletcher, eds. Lewisburg: Buckness University Press, 1990.

Trails of research: Lord Salisbury

This morning’s activities demonstrate some of the difficulties of “rabbit hole” research. This is searching that starts from a single point, and ends up going off into different trails. Sometimes it leads to enlightening information or interpretations. Other times it doesn’t.

This began with (Chrome! Show full history!) an email announcing new history book reviews in Cercles: Review Pluridisciplinaire du Monde Anglophone (that’s me, unfortunately). In particular, this review caught my eye: The Victorious Century: The United Kingdom, 1800-1906 by Sir David Cannadine, reviewed by Charles Giovanni Vanzan Coutinho of New York. In the last paragraph, the reviewer says that near the end of the book

“…Sir David brings the reader to the late Victorian era, in which the dominant political figure was Lord Salisbury, whose important essay in the Quarterly Journal in 1883, suitably titled ‘Disintegration’, the author explicates for the reader as providing a leitmotif of the entire era: one in which the one-time certainties and confidence of the high-Victorian period no longer seemed to be true…”

Well, this sounded like something I should read, a leitmotif for the entire era I’m studying. Damned handy, I thought.

So I tried a search for “disintegration salisbury” on DuckDuckGo and Google search. Only two links, one to an article in The Spectator, but I couldn’t access it because I’m not a subscriber (more’s the pity, but it’s too expensive to post to the U.S.). The other was a reference, so I tried Google Scholar with “lord salisbury disintegration 1883”) and got the full reference from another paper:

Salisbury, Lord, ‘Disintegration’, Quarterly Review, Vol. 156, 10 1883, p. 594

but not the paper itself. Two more articles referencing it were also blocked by paywalls. I tried my college library, EBSCOHost and JSTOR, and only a couple of articles referenced it, neither of which had a better citation than this.

One reference said the article is in another book, Paul Smith’s Lord Salisbury on Politics. Tried Google Books. It was here but there is no preview, search, or ebook. Tried Amazon to Look Inside. Nope, on this one you cannot look inside.

So I tried my old standby for old journals, Hathi Trust, and found several sets of full-text listings. I tried the first one, 1883. Not in the first one, then I realized that was only through summer, and ended before page 594 anyway. “10” might be October. Tried the second one, found an item that included page 594 and was October 1883. It said “Disintegration” at the top. But then I went up to the first page of the article (dreading that it was so long since once can only print one page at a time). Here’s what I found:

 

Well, that doesn’t say Lord Salisbury. Was his name W.E. Forster? Who is that?

No trace of a W.E. Forster by Googling or on DuckDuckGo. Tried another set of Quarterly Review for 1883. Same thing.

So I started tracking down Lord Salisbury. His name was Robert. Robert Arthur Talbot Gascoyne-Cecil, aka Lord Robert Cecil and at one point Viscount Cranborne. He would become Prime Minister two years after this article. In photos he looks rather humorless. According to Wikipedia, Paul Smith’s book describes him as depressive, neurotic, and competitive, among other quirks. Everyone said he wrote “Disintegration”. Except my primary source.

So I tried The Spectator again. In the flash of the article before it was blocked by the paywall, I saw something that suggested that there is no doubt that Salisbury wrote it. That might imply there should be some doubt. How frustrating!

So I tried a trick. I got my screen capture program ready, then clicked again on the article and took a quick snap before the paywall came up. So devious. I got:

Ridiculous. Deceitful. I feel so bad. Not.

Soooo…it looks like the W.E. Forster is a deceit. Rather, conceit. I do love Victorian writers, but in periodicals important people (or not very important, like HG Wells writing as Septimus, or complainers about Cambridge writing as Cambridgensis) often use assumed names.

Back to the article. It’s very long. It has things in it that might be useful to my research, and even more useful to our current times, such as “Hack phrases are a dangerous snare to an age too hurried and too busy to think” (p. 566). Salisbury was conservative, but liked America: “The Constitution of the United States was framed by men, deeply mistaken, as we think, in that they were hostile to monarchy, but yet fully sensible of the dangers that attended the democracy that they chose…” (p 568). He liked the empire, and was fearful that elements in England at the time, including the expansion of the franchise and political solutions for Ireland, would end it entirely.

He thinks educating the working man was dangerous, at least as it was being done (p 358):

I would certainly put the invention of “race” as a calm teaching of science that corresponds with dangerous passions.

But for me, what’s here is not so much a lietmotif of the era, as one for the Tory position of the era, clearly articulated but not of much help. I keep my tracking, so if I do suddenly need a Tory explication of empire and conservatism by a future PM I know where it is.

And that’s a morning doing research. Many times, things are not what one expects. And sometimes it’s quite difficult to follow the rabbit.

 

Self-portrait with mahl stick

We interrupt the sabbatical work for a combination of art, feminism, and technology.

It’s this self-portrait by Catherina van Hemessen, whom I had not heard of till today (by way of a reference from a community college art history class):

Catharina van Hemessen, Self-Portrait (1548)

In that context, I was told that it’s the first self-portrait by a female artist. But on the Wikipedia page about her, it claims it may be the first self-portrait of anyone at work at an easel, and references a book by Frances Borzello. So I went off looking for her. Yup, she’s qualified and literally wrote the book on female painters and their self-portraits.

So I looked at the book with Amazon’s search. There are images of women painting their self-portraits in Boccaccio’s Concerning Famous Women (c. 1402-4) on page 20 of the book. Borzello also claims that an illustrator named Claricia drew herself into the letter Q in medieval manuscripts. What Borzello actually says, on page 40, is that Hemessen’s “has been claimed as the first self-portrait showing an artist of either sex at work at the easel”.

Oh, ok, then. Not quite as grand as the first self-portrait ever, of man or women, and limited by “at work at the easel”. When did easels start? And what’s that rod in her hand?

It’s a mahl stick, still used to keep the painter’s hand steady and prevent smudging. I found out about it here (well, I’m not an artist, obviously).

And, according to this Victorian book, easels have been around since at least Roman times.

Under what circumstances is a story “untold”? If I’ve never heard of either van Hemessen or Claricia, that doesn’t mean their stories aren’t there. Over and again, things that are forgotten re-emerge. The current focus on feminist history and heritage is a case in point. While I am not in favor of anything that separates humans from each other, or sets them in opposition, the histories of particular groups of people do tend to generate the re-emergence of essential knowledge. It is this re-emergence, particularly in the Internet Age, that makes it possible to find information, and more importantly, other sources of information, like Borzello’s book. And sites about mahl sticks.

Six hours in Manchester (& notes on curation)

Manchester is a ways from where I’m staying, so the train takes awhile. But six hours was enough to know I like the city. It is so exciting, so youthful, so interesting.

Manchester City Art Gallery had several pre-Raphaelite paintings I wanted to see, the most important of which was this one:

Ford Maddox Brown, Work (1852-65)

I studied this work last year as part of a class I was auditing, and really took to it. So much so that when I was in Hampstead, I went to find the street:

There were other very interesting items, including several works by Millais (the one Ruskin’s wife ran off with). But there were artists of the era that I had never heard of. This one caught my eye because of its subject matter as well as its execution:

Eyre Crow, The Dinner House, Wigan (1874)

The curator card indicated that it is indeed unusual. [I find it’s a good idea to always take a picture of the card right after photographing the work itself.]

This helped explain why the scene reminded me of Bizet’s opera Carmen, with the cigar factory women coming out into the square.

The pre-Raphaelites enjoyed the symbolism of medieval Christian art. According to the curation card, this hired shepherd is neglecting his duties, so the sheep are “blown”. I can see they look ill, they’re lying about, but I didn’t really understand what was meant: overfed? poisoned somehow?

William Holman Hunt, The Hireling Shepherd (1851)

So, Google: “blown sheep eating corn” (because it said they’d gotten in to the corn). I got results on modern sheep raising. How about “blown sheep eating corn pre-Raphaelite”? Aha! A book called William Holman Hunt and Typological Symbolism, by George P. Landow (2013). Page 39 says that Hunt’s subject is “Hogarthian” and that he explained to a J.E. Pythian (not much result there from Google – he seems to have written books on art) that it was based on a Shakespeare’s King Lear about sheep, which in this case are “doomed to destruction from becoming what farmers call ‘blown’.” He also mentions that the girl is feeding the sheep sour apples.

I noticed the apples first, because to me it is also a painting about temptation and sex. They’re not just flirting — she has no shoes on. The moth is just a way for the lad to get closer to her, and the apples all over the place have something to do with Eve, tempting him from his work. This is mentioned briefly in Landow, to do with a Biblical interpretation by John Duncan Macmillan, but is dismissed.

Maybe I just interpret things differently. How about this one:

William Powell Frith, Claude Duval 1859-60

“Oh my!” (to quote books in various shades of grey).

The card says the painter was trying to show the lady as beautiful but terrified. I’d say he failed utterly. The lady looks, shall we say, erotically enchanted. She seems fascinated by the highwayman, even while her companion has swooned, criminals are running about with guns, and the older people are in states of heroic scorn or supplication. She’s ignored them all and is totally engaged, her eyes wide open. That’s why the man leaning on the chest is laughing. He’s seen this before.

Does this mean the curation is wrong? No, but it is curation. I could see both the Frith painting and the Hunt in an exhibition about lust (and not just because I’m reading the book by Simon Blackburn).

One painting actually fooled me. At the Manchester City Art Gallery, there is one anachronistic piece in each room. So, for example, there is a room full of 18th century Romneys and Reynolds, but there’s also a pot by artist and provocateur Greyson Perry. When I encountered this work by Leighton, I thought it was an anachronistic photograph with costumed actors at a fair or something — that’s how accurately it’s painted. Hard to see backlit online, but still.

Edmund Blair Leighton, Waiting for the Coach (1895)

Oh, and here’s a group of cows that looks more like a family than many families I’ve seen:

William Watson, Morning – Loch Goil (1893)

The art gallery wasn’t all we saw, of course.

Manchester Cathedral

Manchester Cathedral is fantastic, and also needs some curation because it’s been done and redone in so many different ways (partly because of the 1940 Blitz). One of the misimpressions I had about Manchester was that it really didn’t exist until industrialization brought droves of people. But it is actually quite old, and the cathedral’s base is 14th century.

The energy of Manchester is evident just walking the streets. It is a modern city, with an exciting vibe. See…

More photos…

History of Education: finding out about a sub-field

For the subjects I’m researching, in addition to knowing more about Victorian Studies, I also need to look into the sub-field of the History of Education. Victorian Studies is arguably a sub-field of Literature (see previous post), and I thought History of Education would be a sub-field of History. But after looking around, I’m starting to suspect it’s more a sub-field of Education.

First I looked at the organizations that study this sub-field. There are two groups of scholars that call themselves the History of Education Society. One is in the U.S. It publishes the History of Education Quarterly, and belongs to the International Standing Conference for the History of Education (ISCHE). To find out more about their perspective, I looked at the current list of officers. Their degrees are primarily in Education and Educational Leadership, although a couple have History B.A.s or M.A.s.

The other History of Education Society is in the U.K., out of the University of Glasgow. Their committee has full biographies posted at their website, so finding out about them was easier, but unlike the Americans they don’t tend to list their degrees. For those I could find, the pattern seemed similar: History first or second degrees, Education for the PhD. They publish History of Education (making it difficult to separate from the American History of Education Quarterly in a database search) and History of Education Researcher.

Then I looked at the journals themselves. For the British contingent, History of Education journal is published by Taylor and Francis, one of those publishers who does not provide open access. I am, however, able to access most articles through the EBSCO database at my college library. 

The American History of Education Quarterly is published by Cambridge University Press, and also available through EBSCO. 

More information is revealed by the content and focus of the actual articles, of course. In addition to seeing articles from such journals pop up when doing subject searches, I like to browse the contents of journal issues. It is usually possible to read the titles of all articles at the website of the journal publisher, even if it’s hard to access the articles themselves. I could tell that for the British History of Education, there are a number of articles focused on British educational history, some on adult education, and several on methodology, which is helpful. So I’m subscribing to the new content announcements so I can keep up (many journal publishers let you do this). The History of Education Quarterly seems mainly focused on American educational history.

Any articles I cannot get through the library’s subscription databases, I can often acquire through our wonderful interlibrary loan librarian, who can get me almost anything! I can often discover in WorldCat who might have a particular item (there are two universities within an hour’s drive). I recently spoke with a student who didn’t realize that students may use interlibrary loan, but they can — that’s what it’s for, whether at community college or university. When I was an undergraduate, I used it all the time. Books came to me at the library after about a week, and photocopied articles came in the mail (nowadays you can often get emailed an electronic copy). I needed some pretty strange stuff back then, as I do now, often from British articles. But the brilliant librarians at Cal State Bakersfield got me those too — they printed them out on the teletype machine. In graduate school at UCSB, these old tomes would arrive at the ILL desk and I would lug them over to the photocopy machine. These days I can walk a few steps to the scanning machine at the college library. But I do miss the sound of the teletype…

 

Sidenote: Teaching students to do research is a daunting task at a community college. There are few History majors and no methodology classes. We also need to teach the many other skills required for basic historical thinking and analysis. Part of my sabbatical is to create posts that detail my historical research work as a way of demonstrating the process. I’m still working on how to index all this…

Victorian Studies

To begin my work on Victorian England, I need to examine the field of Victorian Studies. Unlike History, area studies of all kinds are newer disciplines, and I often have difficulty figuring out what they’re trying to do. Every discipline has its own methodology and its own literature – that’s what makes it a discipline. Now that I’m moving away from working with online pedagogy and educational technology, it’s necessary to make sure I am aware of the milieu in which I’m operating.

Although by no means intended as an introduction to the subject, Martin Hewitt’s “Victorian Studies; problems and prospects?” from 2001 has nevertheless provided me a good entrée. Noting the expansion of books and graduate programs in Victorian Studies, the article nevertheless critiques the lack of interdisciplinarity on which the field is supposedly based. Hewitt notes several other concerns, including historians uncomfortable with the word “Victorian” and the dominance of presentist topics (gender, women, imperialism) that use the Victorian era just for examples. But a bigger issue is the fact that historians and literary studies have not really combined in an interdisciplinary way, even while conference panels may be multi-disciplinary. Apparently the most comfortable and useful pathway for Victorian Studies has been the “cultural history” of the 1980s and 90s, although it took awhile to shake off the perception that it was elitist. This was interdisciplinary because it used methods like Foucault’s analysis of culture (p. 141). 

But cultural history does not create a disciplinary field that is consistent and has an “agreed focus” (p. 142). The result is that there is no common scholarship, and Hewitt notes a lack of “key texts” (p. 144). This helps me because I couldn’t figure out what those key texts were when I was looking for a way into the historiography of Victorian Studies. Hewitt sees the historiography as fragmented, limiting the impact of important works. Previous historical works also tend to limit biography to a few “semi-canonical” men, such as Carlyle, Mill, and Ruskin (p. 145).

In literary studies, Victorian Studies has become a “sub-field”, and the many journals of Victorian Studies tend to be dominated by literary analysis . When I subscribed to Victorian Studies journal and Nineteenth-Century Studies, I noticed immediately that the editors were almost all from university English departments. As I read the articles, I kept rolling my eyes as the authors seem to plumb the text of Victorian novels for meanings that were obscure, presentist, imaginative, or all three. I found most striking Hewitt’s point that such studies focus on the reading as it takes place in the current reader’s timeframe (ours). The articles use the present tense, as if the characters in the novels are here with us now, while a historical article would use past tense (p. 148).

History, Hewitt notes, is constructive and materialistic, while literary and cultural studies are idealistic and interpretive (p. 149) – I would say “imaginative”. Focusing on the text ignores the history. This is why I dissuade students from constructing theses that seem to show the text as possessing causation (“propaganda led people to hate the enemy”) – we cannot prove such a thesis historically, although it is possible to prove that the text might have been meant to do something, or that something might have caused (or influenced, more likely) a work to be written.  

Hewitt’s agenda includes developing a solid historiography, and creating new research based on larger ideas. His prescription for historians (he’s one too) is to broaden the field to include more ideas and their production, combining more approaches. Since the context and environment of the era is embedded in the text, the process is one of sense-making. At least, I think that’s what he’s saying – he loses me when he talks about “syncretic hermenuetics” (p. 153). His focus seems to be on creating intertwinings of text and practices to create something truly interdisciplinary, where the “text becomes means rather than object” and the focus is on the impact (and reproduction) of the text (p. 154).

In determining which texts have been underutilized, Hewitt notes many that I am engaged with, including essays, lectures, and newspapers – forms of communication not intended to be high culture. His ideal Victorianist study combines elements from history, anthropology, ethnography, literary criticism, sociology, and art history (p. 155).

I believe that the goal here is to provide a more well-rounded, thorough, and (by implication) realistic understanding of the Victorian era. I am at a loss, however, to explain why it is necessary to do this through the methodologies of disciplines other than history. I don’t think I realized that I am a history snob until I began reading Victorian Studies journal, and finding myself enjoying it while at the same time becoming exasperated with the lack of evidence beyond popular texts. The field strikes me as similar to steampunk: an enjoyable romp through Victoriana to fulfill present (and presentist) needs by drawing imaginative connections. (I feel the same way about the new genre of “creative non-fiction”, about which I will write more later.) I in no way believe that the historical method can provide as accurate a portrayal as going back in a time machine, but history is adaptable enough to take on the perspectives, if not the methods, of other disciplines and use them effectively. I think I would have understood a plan for a new Victorian History better than I understand a plan for a more cogent Victorian Studies. 

  

Hewitt, M. (2001). “Victorian Studies: problems and prospects?” Journal of Victorian Culture, 6(1), 137–161.

Getting a list of all my Google Books

Just like the old days, a blog post dedicated to helping me remember how to do something.

I have a lot of research material in Google Books, mostly free books from the 19th century, and some pretty obscure titles. Many I’ve been able to download as pdfs. But I wanted a list of all my books in one category (Google calls them bookshelves), and it would only show me 10 at a time.

Well I don’t want to Next, Next, Next. So I did the old-fashioned thing and looked closely at the URL. And there it was, the number of entries:

 

I changed this from 10 to 100 and got them all.

Voilà.

 

The nostalgia of moving . . . hosts

Yes, it’s finally time to move. No, not my real-world house, but my server. Yes, I know it’s a rental, but…

I’ve been at Lunarpages since 2004. That’s a long time. And in that time, Lunarpages has gone from a groovy startup where you could call and get a person, to a business-centered company where they give you grief about SSL. And yell at you when someone hacks your blog. It got so bad I had to move to WordPress.com, so that tells you something.

In the meantime, my online colleagues Jim Groom and Tim Owens (I think I met them online back in the early CCK08 and first-run ds106 days?) started Reclaim Hosting. Faculty and student focused, Reclaim has provided excellent service to many, but I couldn’t move until I knew for sure that my students wouldn’t need access during the changeover. My sabbatical starts Friday – the time is now.

What do I use rented space on a server for? Well, everything, judging by my account stats. I have 31 MySQL databases, 6 subdomains, 5 FTP accounts. I’ve downloaded dozens of scripts, and many versions of Moodle, and run them. Not to mention the 23 GB of files. But this is exactly what needs mentioning.

You know how people downsize their dwelling as they get older? Time to downsize. The web has matured, not always in ways I approve of. And my college had gone over to Canvas, which I don’t approve of either. As the world cares less about creative ways to do things, I find that most of my files are no longer used. Broadband speeds have increased so much that my zillions of .mov files, painstakingly compressed to make them work on dialup modems, then digitized, then ripped from digital, then compressed more mildly – this has left trails of media files. Do I use any of them? No – everything now streams from YouTube or Vimeo.

Here’s a sample of just one lecture file from just one class of my six classes:

This is a lecture on the High Middle Ages (a great era for technology – come take my class!). The top file is the online lecture. The second one is text for a page that opens with a mouseover image, the manor map .png. Then there are my original audio files of me reading this lecture, recorded long ago as aiff and compressed through some antique application that no longer exists to make them .mov. There’s a poster image for a media file (took hours to make in my old freeware gif program) that now plays on YouTube, and then the most nostalgic item of all: the redplay.mov file. It’s a button that when you press it, the lecture audio file plays. I have red ones for this class, blue ones for others, and I made them myself by stealing a graphic and using code I learned from a book called Quicktime for the Web. (You can also see .mp3 files I made later, but my old Mac was acting up and used the origin dates.)

Good times, man. The old days, when I was up half the night learning media compression and stealing bits of code from various places, including printed books. When my HTML for Dummies book got worn out from use. Before Google, before learning management systems. Back when on the internet no one could tell you were a woman, or a non-coder, or just a historian who never really liked computers but was determined to teach online and do it well, reducing the “distance”. A time when I’d install programs from Fantastico to try polls and self-grading quizzes, when I could learn just enough Javascript to make stuff happen, cobbled together my own web pages with cool embedded stuff, having no idea what the hell I was doing, and later when I hacked Dreamweaver and WordPress. When students said, “wow! this is a cool class! all my others are just text”.

Nowadays, the databases don’t operate anymore because most of them were Moodle and Lunarpages gave me so much grief about Chinese hackers that I disabled them all. I no longer use all the cool apps I can run on the server, because Canvas won’t serve scripts that are inside of html pages. After two years trying to hack Canvas, I know what can be done, and none of it requires programs I run on my own.

So although Reclaim can migrate all my stuff over, for free, I’m saying no thanks. I’ve got only 10 GB on the Reclaim plan, but these days that should be plenty. So I’m spending a few days moving those old files out of the folders, and I’ll get it all under 10 GB (8 really) or bust. It’s an opportunity to pack up the stuff and put it in storage on a hard drive, upload everything and check it, decide whether I want to start up databases to run old stuff or just let my work (POT certificate classes, Moodle classes, old web pages) just fall off the Internet. It’s all backed up. I think I’ll let it stay that way.

Sabbatical project

I begin my sabbatical on 10 August 2018. I will use this page to organise my research, reading, and writing.Here is what I said I would do:

Open Writing in History

My sabbatical will focus on publicly modeling how historians work in the 21st century, by engaging in historical writing in an open, digital format. This work will be designed to bring course and program Student Learning Outcomes to life through open practice.

My main topic will be the late nineteenth century in England, a new area of scholarship for me. Since it is a radical change in my disciplinary focus, I will engage in activities designed to increase my knowledge, as well as to provide material for writing.

Foundational work for writing will include intensive reading, research activities (archival investigation, primary sources, secondary articles), professional activities, and/or focused coursework. Such scholastic work is common to scholars in the discipline, and after the sabbatical I will be able to share the meta-cognitive processes that I encourage in my history students.

Any publication derived from the foundational work will be disseminated through peer-reviewed journals in the discipline.

Objective #1: I will engage historical work at a high level of scholarship

I will engage in historical work at the post-graduate level. This will include readings in the historiography of 19th century England through such peer-reviewed journals as the Journal of British Studies, Victorian Studies, Victorian Review, and Nineteenth-Century Studies. Research in historical archives (online and on-site), professional conferences or other professional association meetings, and/or completion of extension or postgraduate classes related to nineteenth century England will also be included. For all tasks, I will create an ongoing log, recording and writing on the subject of late nineteenth century English history, and documenting the processes in which I am engaged.

The time spent on reading, research, professional activities, and coursework will exceed 200 hours.

Objective #2: I will engage in extensive writing, creating a book outline and at least one full chapter or an article intended for publication.

I will engage in the analysis of historical evidence with a goal of creating one product for immediate publication, and a solid plan for a larger work.

Documentation will include the draft of the book outline, and the full chapter or article ready to submit to journals, or as accepted by a journal or publisher. The extensive writing, review, and revision will exceed 400 hours.

Etc. [other objective(s]

An ongoing objective will be improving my own writing through practice.

Total Estimate of Hours for all objectives (minimum of 576 hours) = 600 hours minimum

Explanation of how my activities will contribute to my professional development:

Although I have been active in professional activities on an ongoing basis, for the last decade my energy has been directed toward online pedagogy, with a focus on online learning rather than the scholarship of history itself. The activities in this sabbatical project will contribute to my professional development through intensive and extensive historical writing, the primary skill required of all historians, and return me to disciplinary studies as well as improving my writing.

Explanation of the anticipated short- and/or long-term benefits of your project:

In the short term, I will not only gain energy from engaging in historical studying and writing, but will learn more about a subject in which I have an enthusiastic interest. Such work can only increase my efficacy as a teacher, by feeding my enthusiasm for my discipline and its practice. In the longer term, the project will create a historical writing process on which I can draw, providing examples to students of the process of doing history.

Several Student Learning Outcomes will be achieved within the project itself, by applying them to advanced historical work. Developing a thesis based on primary sources, identifying sources within their historical context, analyzing causal and consequential elements – all are History SLOs and will be featured in the posts and articles I create. Following my sabbatical, I intend to share the entire process with students. In a time when writing of all kinds is being subsumed under concepts of media or communication, I intend to present a model for students of the historical skills embedded in the CSLOs and PSLOs by increasing their familiarity with the historical writing process. This will encourage their success when implementing such skills themselves, in writing for not only history classes, but other subjects as well.

Further, upon my return, the initial publication of my historical work will enable my students to engage directly with me as a historian, rather than simply as an instructor. This is an element that is available to university students, but is rare at community college. In addition, having instructors publicly engage in the skills of the discipline strengthens the scholarly reputation of both the History Department and the college as a whole.

Intellectual property: It is my understanding that work produced on this sabbatical leave is academic work regardless of format, and remains my own intellectual property under Administrative Procedure 3715. I will not be making substantial use of district resources.

 

The ed tech dream is dead

As if regular old political news weren’t bad enough, we must make connections between the behemoths of technology and the decline of enthusiasm for web-based educational technology and online learning in general. The conclusions are not inspiring.

As you know if you read my blog, I essentially gave up on web-based apps for my students a couple of years ago, and have moved all my class activity to the Canvas system or a Canvas-based LTI within that system (with the exception of one Honors blog).

As the author of Insidious Pedagogy, this has been a painful, soul-searching path leading to closing my classes. Since the beginnings (I started teaching online in 1998), I have encouraged faculty to put their pedagogy first, to find ways to force the technologies to do what you want. As an early fan of pedagogies that emphasize constructivism and connectivism, I have experimented with many formats (contract grading, connectivist learning, open blogging). If you’ve heard of Ning, Glogster, Dellicious, Blip,tv, Blabberize, Elgg, Eyejot, GoAnimate, Lingr, Mind42, MyPlick, Overstream, Plotagon, Plupper, Screenr, Slideshare, Trialmeme, and Posterous, you have some idea of what I’ve tried.

My college went over to Canvas in the wave of California Community Colleges who’d been made an offer we couldn’t refuse. As California began to standardize its online college education, mass media began to cover the concerns I’d had all along about student privacy and exposure in online environments. I no longer had any arguments to answer those who objected to students working on the open web, even as the web was closing.

So whatever else Facebook and Google have done (and none of it struck me as exceptional or unusual), they have underlined my concerns about students working openly, and undermined public confidence in living portions of our lives on the web. We were so concerned about not being sold by Learning Management Systems that we were sold by the very providers who gave us freedom.

Educators who persist in using social media for the classes are not just outliers in ed tech anymore – they are now collaborators in the dissemination and sale of student information and data. Stalwarts who object to online teaching and web-based learning can now say, “see? it isn’t safe!” Anything not in a protected, encrypted, controlled system is rightly suspect.

We’ve lost, and to me that has meant not only abandoning my own open classwork and my own research in educational trends but a return to subversion inside the system.

My pedagogical focus now is creating encouraging environments and meaningful tasks for students that take advantage of system-based automation while allowing for freedom of pursuits. It’s the hardest thing I’ve ever done in ed tech — Canvas forces me to take my place as a nobody functionary, a foot soldier following orders, with limited creativity and continual frustration. It’s one of the worst LMSs ever created, with a “community” deluded into thinking we help improve it. When my head is flat from pounding it against Canvas walls, I try to remind myself it’s like making a movie during the Hays Code.

But doing anything else isn’t moving forward.

Why journalists write such good history books

In an only slightly different life, I would have been a journalist. As a significantly younger person, I followed Watergate closely, reading All The President’s Men (as well as Haldeman’s The Ends of Power), and attending a lecture by John Dean given at my college. I saved all the Newsweek articles on Patty Hearst, and all my newspaper clippings of the 1975 World Series, in a laundry basket. I became copy editor and then editor of my high school newspaper, writing articles and proofing galleys and protesting the truancy laws. I majored in English at UCLA.

I switched to History due to an odd series of events involving a high school counselor who didn’t tell me when the AP English test was offered, a fascination with the musical 1776, and a brilliant course I took with historian Joyce Appleby. I never took a journalism class after high school, but instead trained as a historian. My degrees are in History, and my certificates are in Education.

For the past decade or so, I’ve studied the evolution of the web as a teaching tool, and in particular online pedagogy. I’ve experienced the typewriter, the internet, the web, as customer and creator. I’ve used rotary dial phones, dial-up modems, and cell phones. Even as I experienced digital history unfolding (or perhaps because I experienced it), I have “reported” my findings rather than studying the phenomena as a historian. After years of being the person in the room saying “but this has all happened before”, I have recently returned to the study of history as my primary task. And yet, the history books I most enjoy reading now are not written by historians. They’re written by journalists.

Most of these works are about the history of technology, which was my specialty in grad school (although I studied medieval, not modern, technology). Tom Standage (The Guardian, The Economist) published his brilliant The Victorian Internet in 1998, the same year I began teaching online. The book became a reference for me, a way to connect the present (in which I was frantically operating) with the past I understood. In 2003, a student gave me a copy of Empires of Light, by Jill Jonnes (New York Times), about Tesla, Edison, and Westinghouse. It was another reminder that so many things (commercial competition, technological advancement, bloody-minded geniuses) are not new. Atlantic and NY Times writer Nicholas Carr’s The Big Switch: Rewiring the World, from Edison to Google (2008) was a delight, part of a body of his work that supported my gut instinct that the web was making us stupid and that our dependency on computers had a serious dark side (that was the same year that saw the rise of MOOCs).

Steven Johnson (Wired, NY Times) wrote The Ghost Map, a 2006 book so clear and brilliant in its discussion of the cholera epidemic in London that I assigned both the book and his TED talk to students.

Few of these people have history degrees. Johnson’s are in semiotics and English lit. Carr, also literature. Standage has a degree in engineering and computer science from Oxford. Interestingly for those looking at women writers, Jonnes is the only one with a PhD in history, obtained after she was a published writer for the New York Times.

They don’t pretend to be historians. Standage notes his specialty is “the use of historical analogy in science, technology and business writing”. Johnson just calls himself a writer, and Wikipedia says the same about Carr.  Jonnes uses no noun to describe herself despite her degree.

With such a trend in evidence, it didn’t surprise me to read in Bloomberg Businessweek that New York Times reporter Cade Metz is writing a history of artificial intelligence.

Normally I’m quite the snob about non-historians doing history. For example, we have a number of departments at the college who offer classes with the word “history” in the title, but are taught by language or music instructors. The individuals teaching them are quite wonderful, but they aren’t doing history. They’re teaching cultural heritage, typically without reference to historical methodology. Their technique is usually narrative, rather than the development of a thesis to be proven with evidence. Similarly, the profusion of “history” days and months for groups of subcultures (women, African Americans, etc.) are all heritage-based, although they claim to be doing history in order to show they are on the right side of history, which is another thing entirely.

Such storytelling, however uncomfortable I may be with it as a historian, has always been important to human beings. It has become increasingly significant in recent years, as competing narratives are created to defend particular points of view. To the agggrieved, for example, all of human history may be a story of grievances. Historians study historiography, the “schools” of history formed by different viewpoints (such as Marxist history, or the Annales school, or the New Left). Historians tend to recognize these varying perspectives, though not always. Competing perspectives are inherent in the discipline. They’re a feature, not a bug. Historians know there is no “one” history, but rather histories told for varied reasons. That’s why historical evidence is so important — it is needed to support ones perspective, to ground it in fact.

Neither historian nor journalist, English prof Marshall McLuhan provided the foundation for many of the works mentioned here in his The Gutenberg Galaxy (1962)

So what do journalists and historians have in common? Both observe the world carefully, and note patterns. Both access the past for context. Both rely on sources, tell stories, create narrative, highlight key people and events. But they divide on method. A journalist may consult only a few sources, or a very broad selection of sources, and need not engage in exhaustive research among scholarly articles or primary documents. They may rely on scholars’ interpretations, since they themselves are not engaging in scholarship. Journalists may use more literary techniques to draw the reader in, to make clever connections. (These techniques have actually changed the way history is written by historians, as publishers now seek a broader audience for history books in an age where fewer people purchase books at all.)

Most importantly, journalists need not provide a new perspective beyond the telling of an interesting story. The originality lies in the creative telling of a tale, rather than in the development of an argument that must be proven with facts. Perhaps this is why the articles on Patty Hearst did not lead me to research the Hearst family, or terrorism, or cults. I never got into the history of baseball. I watched Watergate happening but did not feel an urge to research previous presidential scandals, or violations of the constitution, or the composition of the White House staff. The stories were complete in themselves.

So when a journalist turns a hand to history, it has the potential to be more lively, and more immediate. Liberties are taken (almost into “creative non-fiction”) with personalities, like those of Tesla or John Snow. “Bringing history alive” (a phrase that makes me cringe, with its implication of imposed drama) need not involve engaging in historical scholarship, but it does create the all-important analogies that Tom Standage mentions. These books bring facts to light, and connections between past and present. Without the work of writers like Standage and Johnson, it is unlikely I would have found the connections between what I was doing with my teaching, and what others have done in the past. Even if I discovered these connections while defending history in the various MOOCs in which I was enrolled, I might not have realized my own potential to write about them.

Skilled journalists make the reader feel engaged in the story, even if their thesis is nothing more than, “look at this cool series of events that happened”. Because they live in our time, their reasons for looking into the past are the same as those of historians: to find insights about ourselves in the present. With such similar goals, it isn’t surprising that so many good books featuring history are written by journalists.

Paradigm shift? best practice? perhaps not

In searching for information about distance learning theory that might inform my research into 19th century distance education, I came upon this article (thanks to Jenny Mackness):

Lee, K. (2016). A paradigm shift rhetoric and theory-practice gap in online higher education : a case study of an open university. In S. Cranmer, N. B. Dohn, M. de Laat, T. Ryberg, & J. A. Sime (Eds.), Proceedings of the 10th International Conference on Networked Learning 2016 : (p. 251-259).

The author is Kyungmee Lee, Lecturer in Technology Enhanced Learning at Lancaster University. Her paper focuses on the discrepancy between social constructivist learning theories and the actual instructional designs for online classes used at places like the Open University.

I have long suspected that the maniacal adoption of collaborative pedagogy was based on very little evidence of efficacy. Instead, in my experiences studying connectivism and constructionist theory, I was aware that such methods were lauded by techno-utopians, many of whom weren’t actually teaching first-year college students. Studies demonstrated student satisfaction with the methods, but not better grades.

Lee notes that despite the insistence on a “paradigm shift” from “old” methods to collaboration and constructivism, resistance implies that the paradigm never shifted at all. The shift has been purely theoretical, and not adopted in practice, where most online classes do not use these techniques. While many studies have chided instructors and designers, implicitly or explicitly, for resisting the new and superior methods, this one subversively questions whether the methods really are better.

Hercules and Bacchus presenting libations while Atë, goddess of mischief and deception, flies above (1778)

It’s an interesting approach, questioning the assumption of a change in the field. While the study does not get into the “new” pedagogies per se, it implies that they may not be better, or may be better under certain conditions, or that people who really want a paradigm shift think they can just declare one. This last is most interesting to me, because it begs the question cui bono?

Many of us assume that if there’s a new technique or tool, it might be better than what we’re doing, or at least be better than older options. We ask questions like: will this work for my students? is this an improvement on what I’m doing? We give it a try.

With a tool, it may occur to us that adopting it benefits the company providing it, especially if we pay for it. If we don’t pay, it’s become increasingly obvious that the “freemium” model either benefits the startup, or that our data becomes the product being traded, a la Facebook.

But perhaps with a method, we fail to ask these questions. To whose benefit is it that I adopt this method? The well-meaning researchers and their careers, certainly. But our students? If so, which students? Does it benefit me as an instructor? How?

I have attempted many different pedagogical models in my 28 years of teaching, both in the classroom and online. None have been inherently better than the others. Each method has advantages and disadvantages. Whatever is trendy, though, is considered a paradigm shift, or a “best practice”. Right now, for example, the Online Education Initiative, which is moving to control all online classes at California community colleges, insists that collaboration among students is required as part of its online course approval rubric. There is little research to support this requirement.

If we consider that a paradigm shift has occurred, we are much more comfortable requiring such methods, as if they were based on research instead of theory and some successful practice. By questioning whether the basic principles are sound, whether there is any support for “best practices”, we give ourselves much more choice. We also give ourselves the opportunity to examine past practices, not as outmoded or disproven (which in most cases they are not), but as possibilities for current and future practice.

Research/writing workflow

Yet another post recording a workflow so that I don’t forget what I decided to do!

This time I’ve had serious help from my brilliant friend and colleague Jenny Mackness, who generously shared with me the tools she uses (and how she uses them) in writing research articles, including PBworks, Word, Mendeley, and Evernote.

It was only as I investigated and tried these, thinking about her workflow and constantly reminding myself what task(s) I was trying to accomplish, that I realized something about doing research in the information age (or whatever the hell we’ll call this).

What we used to need to write research papers was:

1. bibliography cards for recording references (3 x 5)
2. note cards for recording one idea/note/quotation each (4 x 6)
3. notepads for outlining and brainstorming
4. more notepads for composition
5. typewriter/electronic typewriter/word processor/word-processing program on computer for formatting and final copy

Turns out the process hasn’t changed, just the technology. I think I’m going with:

1. Paperpile for bibliography
I’ve actually paid for this, and I rarely pay for anything. It’s a database where you either enter the bibliographic information or it figures it out from an uploaded PDF (which it actually uploads to Google Drive, not itself). You can annotate the PDF files and add notes to them, but I’ve found this only works well for recent articles. I’m using a lot of stuff from the 1880s, and those PDFs don’t do so well because the program does not OCR. The annotations and notes export, but not in a usable way. So I have quite a few articles where I likely won’t use the notes, but the highlighting is helpful. The best thing is that it integrates for footnoes in Google Docs. The other best thing is that it outputs bibliographies with multiple citation formats.

2. Google Keep for notecards
I’ve gone round and round on this, looking for something that tiles notecards on the screen, and makes them searchable. I tried Evernote again, and still don’t get how to see all the info at once. The main issue is integration between the notes and whatever program I use for composition. I looked at several other programs also, desperate to not go with Google. I know it’s likely Google Keep will disappear, since it’s “below the fold” on the Google menu, so this decision was influenced by #4, below.

3. PBworks for outlining
Jenny taught me that the old Peanut Butter Wiki is still around and handy. Here I can put research notes (not content, but process), library holdings lists, plans for articles, basic outlines, links to all the Google Docs (including the pdfs being used by Paperpile) and other stuff online that I might need.

4. Google Docs for composition
It’s the equivalent of those legal pads (I actually used letter-sized lined glued pads, and still do). Because of its integration with Paperpile, and the ease of writing from any of my four (!) computers, it’s the logical choice.

5. Word for formatting
It seems so bizarre that computing hasn’t saved a single step in the old research process, but it hasn’t. Word is crap at all the other processes here except composition, but I’d have to go all Microsoft to get another suite together, and, frankly, they wanted my cell phone number to give me that with OneNote and OneDrive (no). Several journals and conferences want submissions in .docx, and I’ve been using Word since before version 5.1a for Mac (the best version ever). Now if I could just get those citations from Paperpile to come through Google Docs in black instead of gray….

The biggest challenge will be backup (for the work, not for me, although that would be nice). PBworks is best at this – you can back up (export) the whole wiki in html with two clicks. Google, of course, does not want you backing up to your hard drive – it wants you cloud-dependent. So remembering to back up composition Docs as I go is a thing, but I managed it on my recent presentation so I think I can do it. Google Keep backup is awkward at best – you basically have to put them in a Doc and export to get anything usable. But at least a Doc can be exported as plain text.

So, now to work…

The electronic frontier is closed

With the death of John Perry Barlow, it is time to start writing the history of the open web.

Usually, historians are poor analysts of current events, and poor predictors of the future. Just look at Woodrow Wilson, idealistically trying to build a world of peace after the Great War. One of the problems is that we cannot write the history until something ends*. It is too soon, for example, to write the history of school shootings in America, or of post-rational politics. We are in the middle of these things.

In 1893 at an American Historical Association conference, Frederick Jackson Turner announced the end of the frontier. In his view, the “wild west” was over. The western frontier had served as an escape valve throughout American history, providing a place for dreamers and those who just didn’t fit in to start a new life, take their chances. But gradually the frontier was contained, mapped by geographers, fenced by ranchers, crossed by railroads. And while imperialists might use Turner’s proclamation to support their own internationally expansionist goals, the point was that the wild west was done, and therefore it was time to write its history.

So now it is time to write the history of the open internet, the electronic frontier, as Barlow called it. As in the wild west, the freedom that marked the early web would be contained, civilized, and gradually controlled by commercial and government interests. As it closed, the shift in the nature of the space gave birth to new threats. Where on the open web bad disruptors were restrained by the community, commercial spaces made possible abuses never seen before, and controlled by no one. From trolls to cyberhacking to international meddling in elections, the enclosed spaces themselves gave rise to horrors.

In its obituary of Barlow, The Economist quoted from his 1996 “A Declaration of the Independence of Cyberspace” :

Governments of the Industrial World, you weary giants of flesh and steel, I come from Cyberspace, the new home of Mind. On behalf of the future, I ask you of the past to leave us alone. You are not welcome among us. You have no sovereignty where we gather…I declare the global social space we are building to be naturally independent of the tyrannies you seek to impose on us.

Sometimes historians get to experience historical change themselves. While never a computer expert, I learned in the 1980s the mysteries of ProDOS and the Apple IIe. To me, computers were only sophisticated word processors, each generation enabling me to correct errors and write faster. Using Netscape in the late 1990s, I began teaching history on the wild web, grading assignments by email and posting lectures in HTML that I learned from a book.

In education, the wild west began to diminish with the advent of the learning management system, and I spent the next dozen years or so fighting to keep online college classes free of the imposed pedagogy inherent in these systems, even as I learned to use them myself. I also dreamed that the artisan way of doing things would survive the growth of mechanized online teaching. Blackboard and now Canvas are the educational equivalents of Facebook and Google – entities that began with a worthy goal but now manage information in controlled commercial spaces. And, as with the web in general, this control paradoxically encourages the worst elements to emerge. College courses, for so many students the opportunity to think freely, now feature a level of standardization and accountability that Henry Ford would have envied.

I still believe, like Barlow, that the freer the space, the less opportunity there is for abusing our fellow human beings. But all that has passed. It is time now to write the history of the web that was open to all, when everything was possible, where the disembodied voice spoke to a world that wanted to listen and learn. Historians take dreams and wrap them up, explaining events in a way that gives meaning and context. So this is a wrap: the electronic frontier is closed.

—

*Edmund Burke’s Reflections on the Revolution in France may be the one exception to this rule.

OERs again

I’ve posted a number of times on Open Educational Resources, and mentioning these might help explain why I subject the entire issue to serious criticism, a small sigh, and a raised eyebrow.

And now? I’m even more skeptical, because now my own institution is pushing them. I think it was Alan Levine who first turned me on to the idea that state legislatures in the U.S. want OERs because it saves them money — they can decrease their education budget if everyone’s using “free” textbooks.

CC BY-SA 4.0 Opensource.com

It’s easy to see who makes the money with a textbook – the publishers, then the authors. With OERs it’s harder to see. In this case, it’s the state saving money, or pulling it from education. In other cases, it’s more commercial. I remember how happy I was, many years ago, when MIT released hours of lecture on YouTube. Then I discovered a company that had built a “shell” for this content, adding some discussion boards and a document that looked like a syllabus. As an instructor, you bought access to their platform for the semester, and used it like an LMS, with all the content comprised of MIT’s “free” videos. The company got money, but not MIT, not the professor. It seemed wrong then. It seems wrong now.

So now my question is, cui bono? Who benefits from OERs?

Lest you think I’m just a grumpy old prof, I don’t have to whine about my own institution’s intellectual property policy. It was developed in the first year we offered online classes (1998) by my prescient and exceptional colleague, Louisa Moon. She saw immediately the potential for online classes to be taken over by institutions, and taught without the faculty member being needed at all. One could develop a class, and the college could decide to take it and have “staff” teach it instead.

So our policy not only preserves ownership by faculty of the things we create, but even our sabbatical policy says we keep ownership so long as we don’t make excessive use of campus resources when creating stuff. I think that’s fair.

However, I work at a public community college. We do not have the same issues as universities, with their endowments and grants. But we do have a recent push to adopt OERs, and I’ve argued against it as a requirement. Not that I like textbooks (just search “textbooks” here on my blog to see how much I despise them and the whole publishing model), but if there aren’t even good open textbooks for History, there must be other areas where nothing good is available. So for me, the four priorities for using OERs are:

  1. The academic freedom of the professor in choosing what to assign
  2. The quality of the materials
  3. Whether commercial entities benefit from their use
  4.  Everything else discussed in this unit: the 5 Rs, open licenses, etc.

I guess that’s a little different than what this unit intended.

Roll call in Canvas

For the first week in every online class, I have an introductory discussion forum. I’ve done many things here (asked for students to talk about themselves, respond to a news story, or discuss videos on being a college student) but the point is for me to know they are actively in the class, that I don’t need to drop them as “no show”s.

The law says that signing in to an online class is not “attendance” – they need to do something. So this is what they do.

rollcall

Since it’s not something I grade, I have had it set up as a forum, and I left unchecked the Graded box. Then this morning, I realized that to contact the students who haven’t posted (it’s due yesterday, the first day of the 8-week term), I’d need to print my roster and mark it manually, or write down the names of the students who hadn’t posted.

Instead, I went back in to the forum, checked “Graded”, made it 0 points, had it graded as Complete/Incomplete, and set the deadline for last night. Then I could go to the dropdown in the Gradebook and message the students who hadn’t done it, all at once.

messagestudentswho

Of course, I also then need to use Speedgrader to mark each one Complete, since Canvas doesn’t really understand what Complete/Incomplete means, or it would mark it automatically. But still, it’s better than manually tracking students!

Copy rights and the encouragement of learning

This week’s work on copyright in the OpenEd MOOC should ring a bit of a historical bell. James Boyle’s chapter on Jefferson (assigned reading for this week) does a great (and lengthy) job analyzing the various positions of the founders, and European intellectuals of that time, on copyright. (I did find something a little more succinct here.)

Although Benjamin Franklin, having earned enough on his inventions to retire at a young age, apparently didn’t patent or copyright his work, other founders were most vociferous in their support of copyright. Without much debate, it was put in the Constitution (Art. I, Sec. 8, Cl. 8):

“the Congress shall have power . . . to promote the progress of science and useful arts, by securing for limited times to authors and inventors the exclusive right to their respective writings and discoveries.”

But apparently this wasn’t enough. By 1790, there was a Copyright Act, called An Act for the Encouragement of Learning, by Securing the Copies of Maps, Charts, and Books to the Authors and Proprietors of Such Copies. Note the language: the encouragement of learning. The idea was to encourage authors and scientists not to keep it to themselves – to share. Since, as I teach my students, there is no reason for a law unless people are doing the opposite, this encouragement must have been needed at some level.

So one can assume there was a dearth of publications in the new country.

Interestingly,  the acts themselves were clearly copied from England’s own copyright laws (the Licensing Act of 1662, the Act of Anne in 1710). I wonder whether they cited these?

Jefferson’s letter, which seems to oppose copyright but actually proposes a short, socially agreed-upon copyright, was written in 1813. By then, there were significantly more publications and Jefferson, who did not make his living with his writings, was sharing his complex opinion on the subject (all the founders were complex intellectuals – it’s actually difficult to peg most of them to a “position”).

So on to now. Let’s say the original reason for copyright was because there were too few ideas out there. We do not have a dearth of ideas now. Some of them, of course, are heinous yet available to all through the medium of the web. So let’s hold them to the standard of the 1790 law: does copyright today encourage learning?

Open education, open sources, open access – it seems to encourage more learning than something as restrictive as copyright. Jaron Lanier, author of You Are Not A Gadget,  would disagree. In fact he does, here in this interview and elsewhere.

Lanier sees that what seems to be free and open can be detrimental to society as well as to creators who are not paid for their work. But someone is getting paid, and getting paid a lot, in the sharing economy: companies like Facebook, Google, Amazon. They are benefitting from the labor of others: “ordinary people are expected to share while a few companies at the center get all the money”. The solution?

I would like to see more systems where ordinary people can get paid when they contribute value to digital networks; systems that improve their lives and expand the overall economy.

Right now, I’m contributing to something. For free. Sharing what’s in my head (whether Boyle’s sources see that as natural, or even mine, has been debated). I benefit from others doing the same. But Lanier’s point of view makes me wonder: who else is benefiting from my work?

I agree with Lessig and others who say copyright should not be perpetual, and with the founders that it shouldn’t be for long. Extension of copyright beyond the lifetime of the creator has always seemed ridiculous to me.

But Karl Fogel’s article claims that copyright was never about creators or jobs, but about publishing rights and vendor claims. Intellectual property law was created by and for business interests, not starving artists. He suggests copyright is doomed anyway:

The abolition of copyright law is optional; the real force here is creators freely choosing to release their works for unrestricted copying, because it’s in their interests to do so. At some point, it will be obvious that all the interesting stuff is going on in the free stream, and people will simply cease dipping into the proprietary one.

In the academy, it remains very difficult for ones work to be taken seriously unless it’s published in a proprietary, copyrighted journal. While I am aware of trends toward more open sharing of ideas and science, I am unclear as to how one would actually reach an audience without those nasty publishing types.

So I’m considering things in a different way, as small and large markets for knowledge. One possible historical argument might claim that in the past (17th-18th centuries),  there were not enough ideas in published circulation, so it made sense to give legal rights to those who were willing to publish under condition that their ideas be attributed to them and not claimed as original by others. They were reluctant to share their ideas, inventions, stories, without that assurance. Publishers could expand their reach and markets, making a large profit for doing so. Thus authors and artists have always been at the mercy of business, at least if they wanted their ideas widely accessible.

Now, the argument goes, everything is widely accessible via the web. So we don’t need copyright and we don’t need publishers. I think this leaves out a crucial piece: access to the appropriate market. I “publish” freely on this blog. I pay WordPress.com for the privilege of not having nasty hackers hog CPU percentage on a rented server (the reason I had to leave off blogging in my own installation). Since they are “out there” on the web, my ideas presumably have a large potential audience. But my blog does not have many readers. Traffic peaks during MOOCs and such, but I rarely get more than 40 readers in a week, and most only stay for a few minutes until they figure out my blog isn’t what they wanted to read. I’ve never particularly cared, since I don’t really write for an audience.

But let’s say I wanted to do that, reach a larger audience, perhaps even get paid for doing what I spend so many hours doing. Would I value copyright? You bet I would. I’d need those evil publishers, who have connections to readers beyond my measly scope. The learning that I want to encourage simply won’t be seen by many interested parties unless I use the system, and I won’t be able to benefit much financially if I don’t.

Why? Because it seems to me that openness as a way of serving ideas benefits those with access to that which is not open – those with PhDs, connections to businesses, government grants, and/or startup money. And Lanier is right – it does it by using the labor of people like me. I am a “free” student in this MOOC, since I’m not paying EdX and the University of Texas for a “verified certificate”. George and David have done what I do for students, putting up readings and videos, but quite a bit of content is expected to come from us free participants. When I search around about this MOOC, I see corporate sponsors, and Gates grants and things, and research. Someone is making money. It isn’t me. Perhaps I am a rat in the lab?

Or am I a member of the commons? I have thus far used Creative Commons on all my lectures for my classes. But I am rethinking. In medieval times, the commons was used by everyone, but it was owned by the lord of the manor. On the web, this landlord could be Facebook and Google (as Lanier notes), or my ISP, or WordPress.com. But unlike a peasant on a manor, the sheep I’m tending in their field really are mine. (Yes, they derive from the sheep of others, as all do, but they are mine.)

Exploring these issues, even after 20 years in online teaching, makes me more uncertain, not less, about what’s going on. And that, at least, has encouraged my learning. It may also encourage me to copyright my work.

 

 

 

 

Open can be bad

Open is considered a force for good in many forward-thinking educational communities. I was an enthusiast at one time, but I reluctantly gave up on openness for my own college classes in the summer of 2013, as evident here. The world has not improved since then. In addition to surveillance, we now have an appalling acceptance of unacceptable behavior and uncivil conduct, which in my country has now reached the highest levels of power.

That said, I continue to learn in the open myself, and share what I learn (for those who don’t know me, I teach History at a two-year public college). For many years I conducted the Program for Online Teaching’s open online programs for professors, and I now assist my college’s professional development program’s with blogging and sharing. I use open resources for my classes, usually created by me since there really does seem to be a cost to everything.

One of the first questions in the OpenEdMOOC is what might be bad about open, so I really couldn’t resist.

opencanbedangerous

Open leaves learners vulnerable, particularly those who are ignorant of the operations of  the web. The worldwide web used to be an open place, a Wild West. Commercial entities (and those which were free but became commercial) made the web easier to use, part of the infrastructure of everyday life. Users willingly not only sign Terms of Service to be able to do tasks which have become basic, but post their children’s school habits and location, sign up for loyalty programs that track all their purchases, and have their information shared for them by places like Equifax.

Education is not only far from immune to such practices, but can actively encourage them.  So my angle is about thinking things through. My position at the moment is that there is value in closed education, if only for the purpose of separating certain kinds of learning from the distractions of daily life — the opposite of “applied” education, if you like. I think I’ve expressed this view best in my blog post from July. I’ll be looking to see how those concerns are affected by what I see in this course.