Being an open ed Lurky Loo

March 11th, 2010
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Lisa M. Lane

I have a habit of dropping on online conferences to which I wasn’t invited. It’s so easy to do, and it’s fun! So far, no one has asked me to leave….

It used to be because of Twitter. I’ve hung out at professional development workshops for SDSU, because Jim Julius posted a link. I follow Alec Couros around a lot, and the EdTech Posse crew, showing up sometimes if they’re presenting in Ustream or somewhere I can lurk. Now it’s because of Buzz — I’m lurking over at the U of Hawaii open conference now thanks to Greg Walker. Greg, Distance Education Coordinator/ Educational Technology Developer at Leeward Community College in Hawaii, posts on Twitter, too; that’s just not where I found out.

Greg said, “spread the word”. He’s got a 6-week open workshop for U of Hawaii CC faculty running for about one more week with a mini-conference webinar as the culminating activity, and cool guest facilitators like fellow chocoholic Nancy White and Alec Couros. Even the technologies are open. It’s all laid out on a wiki at Google Sites. Greg’s video reflections are at Viddler.com. There are some very cool open resources I hadn’t read (I’m old-fashioned, so I’d better buy more printer ink), including Nancy White’s (cc Full Circle Associates 2002), the Wikiuniversity course Facilitating Online and a collaborative book posted in Scribd called What Matters Now.

Lurk and learn, that’s my new motto.

What I did at school today: CoolIris

March 8th, 2010

10:00 My pedagogical goal today was to get away from the political focus I’ve been using (and which a student has called me on — this is a Humanities GE class, after all) and get into some culture.

I wanted to use my favorite romantic paintings to collaboratively explore some common themes in art of the 19th century: man vs. nature, the unconscious mind, emotions of liberty, effects of industrialization, etc. in a historical context.

Basically, I wanted a slideshow, but one where I could see all the images as a collection, rather than using a list of links or a linear PowerPoint-type presentation. Bounce around a bit, yes, but Prezi seemed too heavy for such a task.

So instead I tried CoolIris. I have played with it a bit, but had problems and never really understood how I’d use it. But when I started with what I wanted to do, it got easier. (Lesson: start with what you want to do, not the technology!) I wanted high quality images, not lossy, fuzzy, grainy web jpgs. So instead of using my web versions of these images, I got them fresh off an art CD I own. Big files. My plan was to put them on a flash drive, bring them to the classroom, install CoolIris real quick on the Mac Mini, and show stuff. I had an hour.

10:05 To test in my office, I installed CoolIris, which took less than a minute. I told it to open the folder where I’d put the images. Everything displayed in alphabetical order. I wanted the wall to display in the order in which I planned to show the images initially, in order of my themes. So I went back into the folder and put a number at the front of each image file name (i.e. “15ArabHorseman”). Tried again. It took all the 10s and put them first. Went back and did the single digit names again (i.e. “03RodinVictorHugo”).

10:35 Uh oh, I’d left my flash drive at home. Luckily, I had my mp3 recorder in my purse, so I used it as a flash drive and put the folder on it.

11:00 Got to class right on time but…oh no! I’d forgotten the Mac Mini was being reimaged and they’d put a Dell PC in its place. I always tell people, “I don’t do Windows”, but what choice did I have? I opened Firefox, went to CoolIris.com, installed it easily. I plugged my mp3 drive into a USB port at the back (had to search around — they’re on the side on a Mac). CoolIris saw it immediately as a local drive and brought up my folder. Clicked the folder, clicked the double arrow symbol to make it full screen, and there it was. Way easy.

As an aside (or maybe not) the handout was a sheet of tables with boxes. On the left side was the artist and title of each work, a set of three or four for each theme. On the right side, the box was empty. I encouraged them to draw rather than write in the box for each artwork, to sketch the image instead of taking notes. They really liked this, and saw much more in the image because they were sketching it, rather than just talking about the art. I’ll do that again too…

Why, yes, I am a model

March 5th, 2010

Profs have a habit of asking students “do this, do that” but not modeling that doing at all.

We say “write an essay” or “create a thesis”. Then we tell them how to do it, with lengthy instructions, written and verbal. Often it isn’t till I get to “construct an analytical theme, everyone” that anyone says, “Lisa, could you do one for us? show us what one looks like?”

I’m more careful to model now, having thought about this for several years. It’s easy in an on-site class. These days I occasionally sit at the overhead projector, modeling how to gloss a document or construct a thesis, with the students helping me. Online classes are a bit different, since my discussions aren’t synchronous.

In my online discussion forums, which I’ve changed to an exercise where they construct a collection of sources and then construct a thesis, I have begun modeling as part of my mid-week post for the first time. I ask everyone to use three of the sources their colleagues have posted at the beginning of the week, and create a historical thesis, using those sources as support. But instead of just pointing to my tutorial on creating a historical thesis (I do that too), I also say something like:

Here’s an example. I’m looking at my quotation from Rousseau’s Emile, the painting posted by Abegail (I’d cite the title if I knew it!), and Jardins de la Reine posted by Sarah P, and I create this thesis:

“Middle-class society in the 18th century seemed concerned for the environment and education of children.”
1. Rousseau’s Emile shows an educational philosophy based on the child’s interests.
2. The painting posted by Abegail shows healthy, well-tended children as part of a family portrait.
3. Jardins de la Reine shows children having fun in the outdoors.

I’ve done this in each class for the first several weeks, using three sources that they’ve posted. It’s helped, I think. The theses I’m getting are much more thought out and interesting than in the pasts.

Yes, indeed, modeling is a good career.

Chef as metaphor

March 1st, 2010

Last year, as part of the huge Connectivism course, we were asked to consider various metaphors for the role of the instructor in this new internet-influenced world of learning by association (and with ones associates).

The metaphor of curator, which George Siemens used, seemed to me the best at portraying the new paradigm. At the time, I suggested the role of Organic Gardener or Wizard to be apt also.

But this week, after preparing Prezis and recordings and providing worksheets for translating lecture material into a handy chart of political shifts during the French Revolution, many students did very poorly on the quiz. The brighter students easily saw that I had prepared them thoroughly for the exam. Others wandered around the essay question, not realizing it reflected what we had done together in class. We had spent an hour with me putting the events of the French Revolution within a framework of conservative/liberal/radical politics, and many essays didn’t use any of these words.

I was not using open, connectivist learning, but rather classic lecture and a classic essay question. Nothing should have been in the least surprising. It occurred to me that I had cooked the meal, laid the table, and some had simply refused to eat. It should have been comfort food, what they were used to, but seemed somehow exotic.

So my new analogy is that of chef. I am a master of the ingredients of history. I can combine them into multiple complex formulas to please the most discriminating palate. I do not like being treated like a mere cook, whose role it is to simply serve up the quick info and then expect quick consumption. Our current model of student as customer has, of course, encouraged the White Castle burger (or In ‘n’ Out if you prefer) approach. The items on the menu are assumed to be limited, and to cater to pedestrian tastes, familiar to all.

I served up a wholesome meal, a chronology of the French Revolution with a pleasing side dish of political philosophy. They picked at it, and would probably have preferred macaroni and cheese.

I suppose if I taught at a university, it would be like being a gourmet chef, the kind that gets his name in the newspapers. People come to that chef’s restaurant to eat what he cooks, because he is an expert. Only those who can afford it, those who at least think they have discriminating taste even if they don’t, would visit. At an open access community college, however, I get a much broader spectrum of clientele. I do not mean this in a socio-economic sense, but rather in an intellectual sense. I have students who are there to get into a good university and already come to me with intellectual skills, ready to hone them into historical skills during my class. They ask what’s fresh today, order on my recommendation, use their napkin, and tip properly. But I also have those who casually made it through high school, and who think this is “high school with ashtrays”, and who are very much enjoying the fact that unlike in the cafeteria of secondary education, where they had to sit at a certain table for 45 minutes, they can now refuse to eat at all. A number are there only to stay on daddy’s health insurance, and will happily take a D. They clean their nails at the table, order too many drinks, and make fun of the French names on the menu. They expect a TV chef, that I’ll juggle knives or get all choked up if the judges don’t like me.

How do I serve them, as society assumes I am supposed to do? Open education means opportunity for all, and everyone deserves a chance to succeed, so all must understand the menu, and be able to digest what I’m offering. At our Adventures in Online Pedagogy session in January, my colleague Jim asked the attendees to move to the corner of the room representing their pedagogical comfort zone: instructivist, constructivist, or connectivist. It was assumed that I would be the only one in the connectivist corner. I really couldn’t go there yet. I’m still part instructivist and part constructivist, as my forum design demonstrates. I still think I need to serve them something, and that I’m the best person to decide what the something is. But the fact is, I was trained as a chef, not a short order cook. I can’t do Adam and Eve on a Raft, wreck ‘em. My understanding is that I was hired to make the decisions in the kitchen, yet the pressure seems instead to make sure that everyone eats. If I have a high drop rate, I must be doing something wrong. If too many students get below a C, it’s seen as my fault. They don’t like the food, I must be cooking the wrong things.

What I would like to do is serve a connectivist buffet, and let them make their own plate. But I worry that they will not make good food choices. Some will go for the sugar, having been given their own choice for the first time since high school, selecting sensationalist tidbits from the History Channel. The only ones who will create a nutritious plate will be those in the habit of doing so, or who are bright enough to understand the digestive consequences of an unbalanced meal. These are the A students, the ones who could have cooked a decent meal for themselves anyway.

I just wonder whether the buffet, or connectivist approach, would make this better or worse. Would providing a huge selection of choices lead to real learning? or would they just get too many carbs?

What can I do for open education?

February 26th, 2010

Hey professor

I was just wondering if there was any way i could download the content of this class to my computer. I really enjoy the lectures and all the info and active links and there are a lot of posts that i would like to go back and read again. If there is an easy way to get it all that would be really cool. I also was wondering if it is possible to go back and do the same for previous semesters? Well if there is a way just let me know thanks for an awesome class.

– Patrick

OMG Patrick, I thought (I do sometimes think in SMS), here I read all this stuff about open education and I don’t even have a clear way for you to get to the material afterward?

It’s not that my classes are open — they’re not. They’re closed in several ways. They are full of enrolled students, so many (40 per class) that I cannot keep up, so they’re seriously closed. We’re a week into the semester, so you can’t join us — the class is closed. The classes are in Moodle, a learning management system and thus a closed silo, a walled garden, a protected “course” that provides a safe classroom-style space but makes visible lifelong learning require links out to the web and multiple passwords.

But my lectures are on the open web, and always have been. Not by design — when I started constructing them there was no place to put them except the open web. Or a passworded folder. I asked the MCC computer folks back in 1998 to make me folders called “pw” for each of my classes, but didn’t do much else. Since then, I link out to the lectures from whatever system I’m in or syllabus web page I’m on. I revise these lectures continually and upload them to space on a hosted site, and they’re just there, available by URL. But in my online classes in Moodle, because they’re linked out, one might not wish to track all those URLs. They aren’t all on one page, but rather grouped with the discussions and quizzes in each week’s block.

Since the forums are locked inside Moodle, and the class is made invisible (I don’t delete them) after the semester is over, those would be much harder to get to later on. In fact, even if I left them open, I plan to move away from my private Moodlerooms account soon now that they’ve raised the price from $500 to $1500 a year, so the content might not be there later anyway. Even if we used a Ning or Facebook instead of a CMS, who’s to say that will be there ten years from now? The open web spaces we construct things in won’t even be there (she thinks as she spends hours late at night constructing a Prezi).

But the lecture I can do. My only hesistation is that I link and embed some copyrighted material. So if a movie studio sends me a cease and desist letter, I’ll have to do some editing. But isn’t it worth it to have a place where students can at least access my lectures later on? Even if they’re a bit different? Should I archive the old ones?

Anyway, I sat right down and made a webpage of all the lectures from all my classes, and am encouraging other instructors (as has Patrick) to do the same. I may not be ready to walk the whole walk of open education, but I can at least do that. And let anyone come in who wants to for their own enrichment — I have my first unofficial “auditor” attending a class this semester. I gotta think hard about the rest….