When you’re tired of London…

Samuel Johnson famously said that when you are tired of London, you are tired of life.

But I do tire of London. Its busy, polyglot, loud and smoggy atmosphere do get to me. But it’s always exciting, with so much to do.

Again I stayed close to the British Library, because the problems with getting everything at Boston Spa meant I had re-ordered a number of items for London. And it all showed up! Looking through the journals, I discovered two more Wellsian pieces that aren’t in the bibiliographies. It’s almost annoying now. Almost, but not quite.

Because I was also able to mention it while attending the H. G. Wells Society’s Annual General Meeting. I am a fairly new member, and have published in their journal, but I had not actually met any of the other members. I was meant to, on an outing to G.B. Shaw’s house planned for September (Wells’ birthday is in September). But it had cancelled.

I was tentative about attending the meeting, because I knew that several people whose work I admire would be there (I’m actually not nearly as confident as I appear in print — well, almost). And indeed, it was a small meeting with all the folks I wanted to meet. Everyone was very kind, and I was introduced as someone engaged in digging up articles by Wells no one knows about. Many of the members study Wells’ literature, rather than history. I very much enjoyed the paper Eric Fitch presented, which reaffirmed how very deep and wide is the interest in Wells. There was a discussion about how to get younger people more interested in his work, but of course there are perennial movies and exhibits based on his science fiction going on all the time.

But man cannot live on Wells alone. One also goes to London for the art museums, and there was a major Van Gogh exhibit on at the Tate Britain. Although the tickets were timed, each group allowed in was huge. It was very difficult to see the pictures:

Can you see any Van Goghs? It wasn’t easy. Everyone wanted in particular to see Sunflowers, which is funny because it’s usually at the National Gallery anyway. There’s quite a rivalry between the Tate Modern and the National Gallery. A couple of years ago I attended a talk at the Turner gallery at the Tate, which has a huge selection of Turners, but not my two favorites, The Fighting Temeraire (soon to be on the £20 note) and the Great Western Railway. They were rather defensive about the fact that those are at the National Gallery.

Not a lot easier to see paintings there, is it? But I am really glad that everyone is so enthusiastic about art!

One also goes to London for theatre. It’s been trickier in recent times to find good, local plays. Over the years, the selection has become increasingly dominated by Americans and big musicals, most of which I’ve already seen. There was Thorton Wilder’s Old Town at the Regents Open Air, and Arthur Miller’s All My Sons with Bill Pullman and Sally Field. Kelsey Grammar is starring in Man of La Mancha, for goshsakes. If I wanted to see American works and performers, I would have stayed in America. My visit was before Present Laughter with Andrew Scott opened, and it was impossible to get in to the only truly British show, Only Fools and Horses (based on a TV show of which I am not particularly fond). But there was one delightful production, at the mysteriously hidden Charing Cross Theatre (it’s under the station bridge): Amour. Music by Michele Legrand (so stunningly beautiful) with a very British libretto by Jeremy Sams, who wrote a charming introduction in the program of what it was like to work with Legrand.

Apparently Amour was on Broadway for only two weeks in 2002, but got five Tony Award nominations. Here it was supposed to run until mid-July, but was closing early. The theatre (audience on two sides, like in-the-round but square) was small, but full. The cast was excellent, the music delightful, the staging original. It was the story of an ordinary clerk, the one who everyone hates because he does his work precisely, who suddenly can walk through walls. Trying to impress the woman he loves even though he’s only ever seen her from afar, he begins committing Robin Hoodesque robberies to get her attention. The ending is sad, but also charming.

So why hasn’t this delightful show done well? I think it’s timing. People want their theatre these days to deal with the social and political trends of the day if they’re going to see something other than Phantom of the Opera. They want Come from Away, or something about family relationships that don’t work. Or they want deep, meaningful stuff like the Pinter series that’s been going for a year (also sold out). I heard one man, who’d seen Amour three times and was sad it was closing early, say he thought it was the title. Or perhaps its continental focus doesn’t work in a time of Brexit.

Here’s something very English from the window of the Transport for London Lost Property office. They’ve not only promised to take care of Paddington; they’ve given him some marmalade.


The new buses are retro, I noticed. When I first returned to England, in 1981, you could board a double-decker bus at either the front or the back. At the front the driver took your money (they used money then), or at the back the conductor would. The back was the quickest way to the top deck. Then for years, as they cut the bus staff in half, they didn’t have a conductor, so the back staircase wasn’t built anymore. But now, thanks to “cashless” technology (use your Oyster card or your contactless credit card), the back is reopened. You can wave your card and go up top.
And last, a photo showing life finding a way, even on the Hungerford Bridge.
I shall miss London. I shall miss England. I always do.

The purpose of museums

One of the reasons for staying in Saltaire was to be near the Bradford Industrial Museum. It’s in a mill, a vestige of the industrial age.

Not as easy as I’d hoped, the bus route takes one to within a few blocks, then you have to walk through a bit of suburb. Industrial museums built in old mills are not, of course, in the center of town.

But what a museum! So many rooms and recreations. At first it seemed deserted — we wandered around the outbuildings before a man came out of the mill (he was on his way to lunch) and invited us inside, telling us where all the exhibits were. He apologized for the steam engine not running, as they’re doing renovations. Then we explored on our own.

The Studio to Selfie exhibit was small, but I loved the idea: exploring photography within the context of modern cultural habits. Translating something historical into modern terms is often a good thing to do. But I was sad because one element was clearly missing among the Victorian photographs, perhaps because it was too gruesome. Death photography was a morbid and fascinating trend in Victorian times, but was not even mentioned. It’s a subject particularly suited to visual analysis, since it was not at all typical (many of the examples that make their way round the web are of living people, just photographed badly). It thus plays into current themes about “fake news”.

The Bradford Industrial Museum obviously has extraordinary knowledge behind it. There are excellent exhibits, many created with a lot of love. But there are too few people presenting it, so it isn’t easy to ask questions. And not everything is labeled, including the many machines attached to the pulleys that were working in the engine room.

The print works were particularly fascinating.

As soon as I saw the sheer quantity of printing machinery, I went in search of a jellygraph, since H.G. Wells wrote about one. I couldn’t find one, nor anyone to ask. There was a wonderful timeline down a wall, showing changes in media over the years, but not relating it to the web or media culture today. In the weaving room, instead of someone actually running a loom, there was a video of someone in that same room running a loom. Efficient, but somewhat bloodless.

The museum is free, which means that the staff is all volunteer, so I don’t blame them for the video or anything else. It was a weekday, and we saw only a few other people visiting.

I’ve seen a lot of changes in museums over the years, and their efforts to bring in new visitors. The addition of multimedia was seen as a cure-all for awhile, but people have, I think, tired of just interacting with more screens when they come into a space that’s supposed to offer something different. Similarly, audio “soundscapes” and video “enactments” (for example, having video of an actor pretending to be a prisoner projected onto a cell wall) have become dull in an age of interactive media. This stuff was too little, too late.

The idea that museums can teach, the pedagogy of the museum visit, may be in difficulty also. This problem is hardly new. I uncovered an H.G. Wells article last week called “Variorum:  Of The Fallacy of Museums” (1895), where Wells explored whether museums work for teaching groups of children. He concluded no, primarily because of the poor organization of museums for this type of learning. You cannot learn about “birds” if you’re a 10-year-old interested in birds, because the information is divided among various areas of the museum. To see the bones of a bird, you go to the skeletons. To see feathers, you go to the taxidermy area. And to see the insides, you go to the jars in the basement. It’s hard to learn that way.

The Science Museum at South Kensington, of course, was really intended as a research institution rather than a place for free public education. But today many museums are assumed to take on this larger task.

Industrial heritage might be a hard sell these days. It’s no longer appropriate just to celebrate machinery, because everyone’s very sensitive to (and guilty about) industrialization. I noticed that all around the Bradford area, the old smokestacks from the mills, though preserved, feature cellular relay antennas. England has found a good use for those tall remnants of smoky industrial might. People are tentative now about celebrating an age that featured not only pollution, but child labor and the death of other romantic notions: the beautiful countryside, hand-crafted items, planned communities.

The interest now is in extremes. That’s why the costumed actors are projected on the walls at places like York Castle Museum. Being imprisoned is an intense experience, so the effort is to get people interested via their emotions. So why be squeamish about death photography? It was an extreme thing, propping up the dead baby in a photo with the other children. That would get people interested — the past has many horrors tinged with sympathy.

I went to London after this, and they’re still lining up at Madame Tussaud’s.

Waxwork of murderer H.H. Crippen

When it first opened in the 1830s, visitors were interested in the “from life” waxworks of people executed during the French Revolution, or wanted to see what their politicians and royalty looked like in the years before television or color photography. Nowadays, the website doesn’t even refer to its history, just the celebrities one can pose with for a selfie. Anna Marie Gresholtz (Madame Tussaud) would love it, with her talent for promotion — see Tussaud’s original catalog here. Although a few of her waxworks may have been from life (or death masks), most of her work was purely imaginative or based on previous portraits. Then, as now, the most popular part of the exhibit was the Chamber of Horrors. This isn’t the first generation to want extreme in their entertainment.

Museums like Bradford will do better once we get over our difficulties celebrating industrialization. But in the meantime, a few death photos, and some solid relationships to current trends, wouldn’t hurt.

 

 

 

Busing round the Dales

I have been planning to ride buses through the Dales for some time, ever since I saw that it was possible, and read Bus-Pass Britain.

Obviously, I don’t have a bus pass, but the book told me about the buses that go through the Dales. There aren’t many, some are locally funded, and many only run in the summer. Well, it’s summer (despite the chilly wet weather), so I was willing to work out how to do it. And my son has come over to England to join me for a week, and he wanted to see the Dales. Since I have no intention of driving, it’s the bus or don’t go.

I chose Saltaire for our stay, since every time someone heard I was a historian focused on the Victorian era, they’d say, “You’ve been to Saltaire, yes?” Um, no. But there happened to be an AirBnb holiday let that’s actually in one of the cottages Titus Salt built for his mill workers, so that was too cool to resist.

First, then, Saltaire. It’s a little bigger than the French Quarter in New Orleans, but similar in that it is a quite perfect place surrounded by imperfect places (in this case, Shipley and Bradford).

It’s a little difficult to manage, because no one seems to eat dinner out here (unless you like fish and chips — then go to Webster’s). The first night we walked to Shipley, and there wasn’t anything there either. But there are wonderful shops, including a butcher and a baker and a co-op grocery with everything. And you can see the Dales in the shots above, but it’s not close enough for me.

So what we did was (takes notes):

Train from Saltaire to Shipley, then change for the train to Ilkley. (This was kind of strange — the Shipley rail station is a bit bizarre, and you get off on one platform, but then have to cross the car park to get to the other.) Walk to the bus stop (quickly, because there is no bathroom at Ilkley station), and catch Bus 74A to Hebden.

Now this is a country bus, which is more like a van than a bus. And it filled right away with local pensioners, leaving only the two seats we took (one of which had to be given up for an older gentleman before our stop). The bus is the only one with a stop at Bolton Abbey, which is far more stunning than it looks in any of the photos. And the driver was fantastically helpful. Knowing (because he drives it) that there is only one bus coming later that day, he told us he’d watch for us.

Have I mentioned that people in the north of England are invariably helpful? As soon as they know you’re a visitor, you get advice on what to do and how to do it. If you’re lost, they help. And they do it all with an extraordinary sense of humor. Yorkshire folks in particular have a deadpan and ironic humor that is very similar to my own — they’re always having you on. So much more fun than in the south. They say northerners are dour, but that’s never been my experience (with the exception of the Left Luggage man at York station).

For example, a woman on the crowded bus had a little dog. When a man got on the bus, they negotiated, since he had a cane and wanted to sit on the aisle for his leg, but she was worried her dog would get crushed, and her argument carried. As he squeezed in to the window seat, he asked, “Is your dog fierce?” and she immediately said “Well, he ate several people for breakfast”, then the woman behind him said, “You’re all right then, since he’s eaten already.”

I thought that Bolton Abbey was just a ruin (thanks, Henry VIII), but it’s a whole estate. The ruined part is there, but so is an active church that still stands in part of the old building. An attendant was there to tell us about the church and its history. And the whole setting is along the glorious River Wharfe, which I had seen in Wetherby but looks completely different here, active and fast-moving.

After a few hours walking around Bolton Abbey (lunch at the Cavendish Pavilion was quite good), our driver returned on the 74A (empty bus this time, so we could chat) to continue on the line to Grassington, through glorious scenery.

He said it was lucky there were enough seats this morning. I said I felt badly if we took away seats from the locals, since we’re only on holiday and they have places they need to go. But he said many of them just ride the bus for something to do, and just ride around all day. I told him if I lived here, I’d do that too!

He then advised us not to stay in Grassington, but to take the next bus to Skipton (Bus 72, which is a little more frequent than the eastern line), since it was market day there and more would be going on. I have learned always to take the advice of bus drivers, so that’s what we did. And the scenery along the way from Grassington to Skipton was, as I hoped, equally glorious to the ride between Ilkley and Grassington.

We happened to get to Skipton Castle just in time for the last entry, so we were the only ones there. We had a whole castle to ourselves for almost an hour.

Skipton Castle is fantastically preserved, and restored thanks to:

From Skipton, which you have to walk across to get to the rail station, it’s an easy train ride back to Saltaire.

So even though it’s tricky, I’d do it again. With the Dalesbus schedule on your mobile phone and the help of Yorkshire bus drivers, you can’t go wrong.

Durham Cathedral in photographs

Durham Cathedral has never allowed photographs. The one time I snuck one I felt so guilty I erased it.

But now, suddenly, there are signs saying you are welcome to photograph. Just please don’t take pictures during a service or of other people’s children. This is only as of March 8. I was told the change in policy is because of the new canon.

So along with a revealed tower, and services where you join a procession, you may now take pictures. Quick, before they change the rules!

This, of course, is my favorite cathedral ever. I have seen York Minster, Salisbury, Ripon (recently), and many others, but to me this is the best. It has to do with the Norman style. It’s not huge and distant like Gothic. It doesn’t pull you upwards, but rather wraps around you like a hug.


It’s grand, and big, but not too grand and big. And those wonderful varied columns. People like them so much they’ve been put on a postcard, just the column designs. A Durham Castle guide today told us they would originally have been painted in bright colors.


He also told us that the now white gallery ceiling in the castle would have been painted bright red and blue, but that Victorian restorationists thought that didn’t look Tudor enough (it was in fact Tudor) and they painted it white. Now if all this is true (and he had the same qualifications as a historian as I do), then it really adds to the story of art history.

You see, like most people, when I look at Greek and Roman statues and buildings, I assume they were always plain and white. But I learned long ago that they were all brightly painted. So now it seems that medieval and Tudor surfaces were also brightly painted, which means that the modernist aesthetic has come to influence our view of the past. That’s rather intriguing.

But painted or not, I certainly appreciate being allowed to take my own photos of this wonderful space.

Opt-out Female Goes to England?

I have been considering writing a travel book about (and for) women of a certain age going solo to visit England from America. There are quite a lot of us here. You can find us chatting with bus drivers, giving money to beggars, and not caring whether our hair is mussed in the wind. I can practically guarantee that when I overhear a friendly conversation between an American female and a male from anywhere else, it’s a woman my age (and often wearing my backpack purse, sensible shoes, and scarf — but I hold the monopoly on the red M&S trench coat).

The title “Opt-out Female” refers to the TSA wanting me to go through the backscatter radiation scanner, and me “opting out” (which you have a legal right to do at the American end). I’ve done this many times, and because I’m female, they yell, “Opt out female!” at the top of their lungs to get a female TSA officer to pat me down. I then wait up to 45 minutes for someone to come.

There are already websites on how to travel alone safely if you’re female, but they tend to emphasize youthful travelers. They have advice on how not to attract too much attention, how not to drink too much, how to stay with a group, etc. Although we-of-a-certain-age are certainly not immune to unsafe situations, let’s just say it is a lower concern than things like: where can I get dried fruit now that I’ve eaten all these carbs? how do I get my heavy bag on and off the train? do I try to converse with the TSA woman in the blue gloves running her hands up and down my thighs?

I am an expert on renting cheap rooms at universities, cooking quick meals from Sainsbury Local, and finding airline-size bottles of Famous Grouse whisky. I can get a bus to almost anywhere (except Holy Island, it seems, because of the tides), so I’m not going to clutter up the book with train advice (except for historic steam trains, of course).

Since I see these other women at all the places I go (second-hand book shops, museums, art galleries) I think there’s an audience. Hmmm. Well, at least if I do it, I’ve posted it here first!

 

Game of Bags

The saga is over. While it many not be as exciting as the last season of Game of Thrones, to me it’s epic.

Our story began as Lisahild set out on her journey, from the dry, far shore of the New Land to the green valleys of the Old Land. The crossing was peaceful, and yet upon arrival the ship’s knaves damaged her chest of belongings by casting a spell which made one of its wheels disappear. Although she dragged the chest to three different mavens, they offered only their own chests, which were of inferior quality. So she searched and searched and found an enchanted cart to wheel the chest, but the chest did not fit well, and had to be attached by a special set of cords. She then began her journey to the north, hoping to find help among the northern gods.

The enchanted cart was southern, and created obstacles on the voyage north. On the northern carriage, among discontented natives, the cart tried to detach from the chest and return to its native southern climes. Upon arrival in Durhamvale, Lisahild stowed the chest and enchanted cart, and went alone into the town. For the first two days the magical spell of Durhamvale beguilded her and she forgot her quest as she roamed happily among the old towers. But on the third day, the Marketplace appeared, and she was enticed inside.

The Marketplace was captivating. So many remarkable objects, all together, the sort of thing you’d have to travel miles in the south to find individually. A large bag, with blue flowers, appeared in her path. It had a label with numbers, and she wrote the symbols down, then looked for a measure. She had a choice of three, and took one back to the place where her chest was stowed. She measured the chest, then compared to the symbols she’d copied from the blue flower bag, and knew that the one would fit inside the other. Returning to the Marketplace, she was delighted to find another label on the bag that said £40. And there was only the one bag to be had. The gods had smiled!

Exchanging her gold coins for the blue flower bag, she took it back to the dwelling and put her chest inside it. It fit exactly. But then, what to do with the enchanted cart? It was quite heavy, and given its wayward manner could not just be left behind when she journeyed on. But that very morning she had noticed a mystical book shop, full of old books that others had discarded. She wondered whether they might make use of the magic wheels? The proprietor said yes, and was most pleased to have the cart to help with all the heavy books.

Thus endeth the saga of the chest and the bag, as Lisahild journeys forth with both.

Durham!

Ah, the challenges of travel! I have arrived in Durham, but it was really lucky I never got to Leeds.

Since Wetherby no longer has a rail station, bus or taxi are the only ways in or out without your own car. I have, of course, this awful bag to deal with. The best way by bus seemed to be to go to Leeds (the stop for Bus 7 being right outside my flat door). But strangely, that bus does not go to the Leeds Rail Station, only the bus station, and I’d have to pull my bag quite a ways in a big city. At least I assume it’s a big city, since I never got there.

Instead, I happened to see the night before, by looking up buses online, that it might be possible to get to York without changing buses. I had thought I’d need to pull the bag five blocks to Wetherby bus station, possibly in rain and cold (so much for the post office queue predictions). But they had a new service, and since I happened to be ready to go early, I went outside and waited. Amazingly, it all worked and I got to York early, so I put my bag in the Left Luggage (the sun was out — the young man taking the luggage was grumbling continually that the sun meant more work for him). Of course I went to my favorite place in York: The York Castle Museum. And my favorite place in the York Castle Museum: The Victorian Street.

 

When I was done, I had some lunch (can’t get enough cheese and chutney sandwiches), then went to the station to buy a ticket to Durham. There were notices and announcements that trains from Leeds were all cancelled, due to a “trespassing” problem. So if I’d gone to Leeds as planned, I would have been stuck. As it was, there was only one train, due to leave in 15 minutes, and the man at the ticket desk said it would be £37, which is really high, and no seat reserved (I had to stand up last time from Leeds to Durham). He told me, “to be honest, you could probably get a better price using the app”. The app? Oh, you mean Trainline? Yes, he said. I thanked him, pulled my awful luggage over, and engaged in panicky work on my phone (I’m not fast on phones). He was right: £16.95 and a seat reservation!

But you see, everyone who couldn’t get a train thanks to the Leeds issue was either waiting on the platform, or had gotten on the train further south. The train had only four carriages (one was first class) and there was no space in baggage sections for my bag, so I dragged it down the aisle. Someone was in the seat I had reserved, and she told me none of the reservations were working today so forget it. The people behind me were getting unhappy, so I maneuvered my bag to the far end of the carriage, and left it in the aisle in a way that people could step over the wheels, and took the last remaining seat (much to the consternation of the gentleman with the cane seated on the aisle).

A strictly uniformed analysis: I will blame (loudly!) the privatisation of British Rail. It makes the railways unresponsive to any urgency. To add more cars in response to the Leeds closure, that particularly railway (CrossCountry) would have needed to have cars in the right place. They can’t, because all the competing companies need space too, and there wouldn’t be enough storage for anything along the lines for all the different carriers.

But it’s all worth it because…Durham.

The pictures give an idea of why I come here. I love it, even though it has nothing to do with my research. When I popped into the Victorian Street sweet shop at the museum in York, I chatted with the proprietess. Mentioning I was working on a project about H.G. Wells, she frowned and said, “but he’s from the south”. I get that reaction up here a lot. Everyone seems to know where H.G. Wells is from, and that it isn’t here.

But, wait. What’s up with the cathedral tower? I usually go to the cathedral as soon as I get into town, and for the past several years the tower has been covered up for repairs. I noticed the lack of coverings as I came upon the cathedral from the river path.

I love the services at Durham Cathedral, but I’m ignorant. I had no idea I was there on Ascension Day, or that because of this the service would be different (I had to walk in a procession down the nave, and inhaled vast quantities of incense). I also had no idea that the celebration was special for another reason, because the tower was being reopened, right after the service. They invited everyone to go outside on Palace Green after the service and listen because the choir, climbing all the way up to the tower, would sing out over the city, followed by bell ringing.

What a wonderful welcome to Durham.

 

More on Durham: posts from 1 July 2017, 18 September 2018

A day in Wetherby (and only Wetherby)

A sunny morning (and only morning) was promised, so I caught Bus 7 early to the Boston Spa branch of the British Library. I told the driver I wanted a “day pass” instead of “day tripper” and caused confusion, of course.

Really, it takes three days to sort out what everything is called, and what little streets are short-cuts, and where the post office is, and where to eat dinner. But since I usually only stay in one place for three days, I do much bumbling around. And it turns out I didn’t need a day pass, since I only ended up going to the Library.

The Library is less than 3 miles at Wetherby, but I could see on Google Maps it couldn’t be walked because there’s no verge to walk on for the whole middle part. I knew I had to go towards Leeds, then get off at Walton something. Oh dear:

Got off at Walton Corner, walked past a dozen or so houses, crossed the road, followed the signs. It was interesting –pavement only existed from the bus stop to the Library. Despite the pavement, it was obvious that this is a route intended to be driven rather than walked. The guard was at the gate for cars, and the booth where you walk up was empty. “A Reader, are you?” he asked. Yes. He asked my name but didn’t write it down, then pointed at a green line on the pavement and told me to follow it to Reception. Same routine there at the London branch, just in miniature: lockers, clear plastic bags, Readers Card, etc.

I thought I’d be there for just a few minutes, since all but one item I’d ordered had been refused. This was due to Bank Holiday Monday, and me asking the system to do too much. Apparently everything I’d used in London had to go back to storage first, and there wasn’t time to get it to Boston Spa. What was less explainable was that the item I’d forgotten to check in London also wasn’t available, so I talked to staff and a very nice woman not only ordered it for when I was back in London, but called and made sure they got the right one.

So I thought I’d sit down and flip through the one book that did arrive, a journal from 1894. To my knowledge, this particular year didn’t have anything by H.G. Wells — I was more looking to consider writing an article about the journal itself. So I flipped through page by page, since I had time. I turned a page and there was an article by Wells. That’s not supposed to happen. I got out my phone and checked Zotero, my bibliography program, but it wasn’t on my list.

This happened a few months ago. I discovered another item by Wells that wasn’t in the bibliographies. And last week at the British Library in London, I found a review he wrote that no one knew about. But this was another full article, and I don’t think it’s in the bibliographies either. How is this possible that I keep stumbling on unrepublished works that no one knows about? I’m very late to this game. Did previous researches not just sit at the library flipping through the volumes? Isn’t that how one finds these things?

All done, I walked and walked and caught the bus back to town. Just to give you an idea:

Yep, that’s the setting for one of the best libraries on earth. Why doesn’t it have its own stop? Students have a bus directly from Sheffield and York Universities. Most people drive. But lowly foreign scholars have to take the bus and walk. At least there’s pavement. And it wasn’t raining.

Back at the flat, I’m thinking quick errand, then maybe go to Leeds or do something fun. But I needed to post some of the books I bought (have I mentioned that I can’t pass a second-hand books shop?).  Now, I had done advance research on posting books internationally, because every time I come it’s different. In the old days (2015 and before), there was a “book rate”, a cheaper rate if the box only contained printed material. But the last couple of years, there’s been no book rate, but rather a cheaper rate per portion over 2 kg up to 5 kg only if it’s printed material. So I went to the post office, weighed my stack (2.3 kg), bought a big bubble envelope, took it five blocks back to the flat, addressed it with pen I’d brought from America for the purpose, used the scissors I’d brought, and wrapped it thoroughly with the tape I’d brought ( I’ve learned that these are things you have to buy if you don’t bring them).

But when I brought my carefully (and thoroughly – the tape is often the only thing that holds) wrapped package in, they said it would cost twice as much because it was over 2 kg, so it had to go Parcel instead of Royal Mail. The fact that it was books made no difference at all. It didn’t make sense – I’d looked up all the rates in advance. But you can’t argue this sort of thing. To save money, she recommended I divide the package. So I bought two smaller bubble wraps, went back to the flat again and rewrapped. Then back to the post office queue.

Now, the post office queue is traditionally where one learns things, and I learned that the weather is about to warm. Estimates varied from 26 to 30 degrees. This is despite the fact that it’s been so cold here (9 degrees) that I even heard two Yorkshiremen complaining on a bus. So we’ll see. I have noticed that neither BBC Weather or Met Office has accurate weather, so maybe the post office queue has the scoop.

By the time I got it posted, and bought small-denomination stamps to make my collection of 97p stamps good again, it was past 3 pm and there was no time to go anywhere else!

 

A rippin’ day in Ripon

The bus to Ripon meant a change at Harrogate. So I needed a day pass, for which I had to explain I wanted to go to Ripon. For the uninformed (like me) it’s pronounced “Rippin” as in Rippin’ Yarns, not Ri-pawn. The locals must have thought I was trying to sound posh. Not that an American ever really sounds posh.

I went to see the cathedral. I had seen photos, but I still wasn’t prepared. While it hasn’t displaced Durham Cathedral in my affections, it is now a close second.

So, some photos:

The carving on the right, which dates from the 15th century, is a misericord, and Ripon is apparently famous for them. I knew this, but didn’t know what they were, so I didn’t know where to look. Turns out they’re carvings on the underside of the folding seat in the quire stalls. The one above on the right is thought to be where Lewis Carroll got the idea of the Griffin and the White Rabbit (it shows the rabbit about to hop down a hole to get away).

This is because Carroll (real name Charles Dodgen) was the son of a canon at the Cathedral. Before 1836 it was just a Minster, which is what the clergyman with whom I spoke called the one at Leeds (a diocese since 1878, so obviously a latecomer).

I’ve never seen a cathedral where they let visitors in the library, so this was super special. They had Tudor paintings in there, and a collection of silver and jewels and Anglo-Saxon ornaments found by detectorists looking for cool stuff.

It was like being backstage at a performance.

The west front faced the road coming from the town center, so when I left it made the most sense to go back to the center, but instead I turned right because I felt I hadn’t seen enough of this beautiful place. As I told the clergyman inside, the space was so human — it didn’t feel overwhelming. Must be a feature of these just barely gothic cathedrals, where the Norman influence is still present.

I then went to the Courthouse Museum, where I happily let myself be talked into a pass for all three Ripon museums (I hate spending money, but I love giving it to museums). The Courthouse Museum was small, and the best part was watching a child put together a courtroom puzzle. But the Workhouse Museum, which I visited after having a salad at a cafe, was exceptional.

What they’ve done is reclaimed a whole Workhouse complex that’s been used primarily as offices, and volunteers have been recreating it. So far they’ve got quite a lot done: front parlour of the caretakers, disinfection rooms, cells for the mentally ill. I learned a lot from the excellent signage. Turns out an idiot is someone who is mentally disturbed full-time, while with a lunatic it’s periodic. Made me wonder, since the “luna” refers to moon, whether people became crazy monthly, or whether the moon period is just an example.

The last image is from the infirmary, where there was a small but good collection of medical equipment — this is a breast pump of excellent design. They also had a vaccine kit, with a note that babies were vaccinated too. The museum had a lot for kids, including a kitchen where you could make biscuits and places where you could try on workhouse clothes. There were signs in every room: “Why would you be bathed if you came to live here?” Really well-designed. I spoke with one of the volunteers awhile about the garden, and what was planted in it. Some of the more controversial herbs have been left out, but there was a lot of information there, about using cabbage instead of potatoes in the diet. Far too much to tell in a single blog post!

But that’s what’s so interesting about museums. To look at the brochure, you’d think the Courthouse Museum and the Workhouse Museum (and the Prison and Police Museum, which I didn’t visit) were just about the same. But the Courthouse Museum was basically one (very interesting) room, while the  Workhouse Museum was large and intricate and still in process. You just never know until you go!

True friends, political change, and Wetherby

A friend takes you to the station. A true friend drives you all the way to Wetherby on Bank Holiday Monday right before the Appleby Horse Fair.

Compared to Southern California, there is no traffic here, but for many in the north whatever slows you down is traffic. A horse-drawn caravan certainly does that on a two-lane road (i.e. most of them). As do families trying to get in a visit to a picturesque village or have an ice cream by the river, pretending it’s summer. Jenny drove through all this to get me to Wetherby, where tomorrow I shall begin to pester the British Library staff at the Boston Spa branch.

But first, some gratuitous Yorkshire driving shots:

Today is a rather strange day anyway in the UK, since last night results came in for the European Parliament elections. Back in summer 2016, when I was in Durham, voters demanded Brexit, so there shouldn’t be any need for such an election, because the UK shouldn’t have any members to elect. But since Brexit hasn’t yet happened, new parties have formed, and they ran candidates to be MEPs. The Prime Minister resigned a few days ago, and since I seem to be here whenever anything big happens in UK politics, I will venture my opinion.

        On the way to Wetherby, with canal boats in background

I see the results as a referendum on the Brexit process, which is neither producing Brexit nor going back to Remain. People are frustrated. I suspect that even if they have no idea what the European Parliament does, they voted for a party. So the Brexit party, whose position on Brexit is clear (“Now!”) got the most votes. This is troubling mostly because it mirrors some of the right-wing surge in Europe itself.  But the Liberal Democrats (who clearly wanted Remain) did extremely well also. Labour, under the wishy-washy Corbyn leadership, lost votes from last time, and the Conservatives bottomed out.

Some say the results clearly point toward the need for a second referendum, but I see just the opposite: the Brexiteers have not changed their minds. I have no idea which party a General Election would bring to power. Perhaps none: with at least four possible major parties, there may have to be a coalition government. Greens-LibDems-ChangeUK, I’m thinking, could beat both Labour and Conservative.

But we didn’t talk politics on the drive to Wetherby, which has turned out to be a lovely town (made of sandstone, interestingly) and I’m in a lovely flat overlooking the River Wharfe. I had been seeking the ultimate “room of my own” and this is the perfect writer’s retreat. (That open window, however, let in a large flying insect I have never seen before, and unfortunately I injured it getting it back out the window — this sort of thing happens a lot.)

True friends also help you move the desk across the room so you have a view.

Of Dales and Henges

I have traveled only in North America and Europe, so when I say a place is the most beautiful in the world, I mean in my world. It’s entirely possible that the plains of Tanzania, the shores of the Bosphorus, the Great Barrier Reef, are more extraordinary. But to me, nothing tops the Yorkshire Dales. And this trip, I wanted to check and make sure that Garsdale was the most beautiful. Thanks to my friend Jenny, I have.

Photos, of course, are essential. Here is a beautiful dale, between Hawes and the Buttertubs:

And here is Garsdale:

While some prefer London, I mostly like it for its cultural assets. These are substantial, of course: museums, parks, bridges, monuments. I agree with Samuel Johnson that when you are tired of London, you are tired of life. But sometimes, you’re just tired, tired of bus drivers who don’t even look you in the eye much less say “good morning”, tired of the bemused sound of the few English people working their way through polyglot crowds, tired of sore feet on the pavement. The “provinces”, as they call them, are better, and of these, the North is the best.

There is nothing in London like the Buttertubs. They are deep crevices dug through rock by water. The story goes that merchants carrying their butter over the hills to sell in Sedbergh on warm days would stop and lower their butter into the crevices to cool and solidify it. Some are 28 meters deep. There is, of course, a highly protective fence to prevent one falling in. We went around the wall instead to get close and take a look. Call it “Women on the Edge”, if you like.

Many people, however, prefer the Lake District to the Dales. Stone circles and henges, I learned, abound in this area (and here I thought it was just O! and Ruskin). I have been to stone circles and henges before (a henge is basically a circular ditches — Stonehenge is surrounded by one, thus the name). I visited Stonehenge in 1981, long before the coach tours and long queues and roped-off stones. It was magical then, not so much now. I also went to Avebury in 2005. But today Jenny and I visited several in the Lake District, Castle Rigg. So a quick time warp:

We visited two stone circles (Castle Rigg and Long Meg) and a henge (Mayburgh Henge). Castle Rigg felt like sacred ground, like a cathedral. Even with many people and dogs there, the atmosphere was hushed and reverent. There were sheep. (The panoramic shots below are clickable!)

Long Meg, just past Penrith, had cows, and it was a much larger circle. Unlike Castle Rigg, no one seemed to know about this one. There were only a few other people there. The tree had a sign warning not to let your dog foul the ground, as dog feces can cause cows to abort. Ick.

Then on to Mayburgh Henge, which was much higher than I expected, and made of piled up rocks. Inside the henge, in an indentation like a bowl, was the single remaining stone. A man told us they destroyed the others using them for target practice. Near the stones were cows. The cows at Long Meg were not very bold, but these were different. A few gave me (as Paddington would say) a hard stare, and edged closer.

This one was coming right at me, stopping every few steps, like the angels in that episode of Dr. Who. I realized I was wearing my bright red Marks & Spencer trench coat. I turned slowly to find Jenny (don’t blink!) and she told me to walk towards her, as the cow (above) butted me from behind, very gently. I have since read that they do that to those inferior to them. Certainly an urban American in a red coat with the toreador song from Carmen running in her head qualifies as inferior.

 

Luggage misadventures

I have always been subject to misadventure. Part of this is my natural clumsiness — I’m the one who gets her purse strap hooked on the doorknob, holds up the queue digging in the bottom of her bag, can’t zip a jacket because the tabs won’t line up, and spills the drink in the middle of the cafe. I’m the one people roll eyes about.

This week, for the first time, it was damaged luggage. No, I didn’t damage it — thank British Airways baggage handlers for that. It arrived on the carousel, courteously removed by a young man on my request, missing ones of its four wheels. Having injured my lower back last month (think acupuncture, naproxen, strange exercises where I hold one foot in the air), the wheels were to make things easier.

It being spring, not summer, I was bringing my coat, necessitating a larger bag. But I can’t manage a huge one, so it’s 26 inches, not 28. And I don’t like zippers (they break, and bugs can get in) so it’s a hard shell with a fast closure. Since I’m not rich, it’s a Flieks, not a Samsonite. All of these ended up being an issue.

A 26″ Flieks suitcase with three wheels is difficult to manage. I looked around for a cart in the baggage claim area. The man getting a cart ahead of me was carefully taking them out one at a time, checking the wheels, and rejecting them till he found one he liked.

Now, I know better than to follow the crowd in London. I’ve almost been hit by taxis crossing against the light because 14 other people were doing it too. Locals aren’t right, just in a hurry. Nevertheless, I took this man’s reticence as a sign that there was something wrong with the carts. I couldn’t separate them well, so I took what I could, and muscled my wounded suitcase onto it.

Here’s where the clumsiness comes it. I couldn’t get it to move easily (I’m also the person who can’t get the automatic water going in the washroom on the train, the one who doesn’t realize the soda bottle has been shaken, the one who asks a question when the sign answering it is over her head). So I shoved it to the nearest help desk, but they told me they were Iberian Airways and I had to go to the British Airways desk at the other end of the hanger-sized room. I begged for help, but he couldn’t leave his desk, or call anyone to help me. I then realized the damn cart had a brake, and to release it you have to press and hold the bar as you push the cart.

The staff at the BA counter filed a damage claim, and then I asked what next: could the wheel be repaired? (In another world, another time, someone could have gone out to the hold of the plane and found it — the entire corner of the case had come off as a unit with the wheel, so it wasn’t a small item.) They said maybe, but would I like a new case instead? Yes? Roll down to the other desk way down here by Carousel 8 please…

The case, once they found a comparable size, was much heavier, plastic, and zippered (three strikes). They said I could take it and leave my bag, never to be seen again. I said no, that really wasn’t comparable to my lightweight, hard-latched bag. So they gave me a card with the claim number and said their company would contact me and bring me a better bag to my address, or repair. You mean the AirBnb I’m at for three days, while you can’t phone me because I’m in the British Library all day?

I looked down at my damaged case. If I tilted it onto the small end, the end with two wheels, I could kind of pilot it. I decided to keep it, and hope they could come and repair, bringing a wheel. I maneuvered it onto the tube, and went to London. The taxi driver was less than thrilled lifting the bag twice to go less than a mile, but she managed.

The company called and offered me one of two hard-shell latch-closed bags in the under £200 price range if I wanted, since they could not repair a Flieks, only Samsonite. One was too big, the other too small, and the bigger one quite heavy. They could bring it to me before I left London, but only if I said OK in the next 20 minutes. I said well, how do I dispose of my old suitcase? He wasn’t sure. Then he said, are you at a hotel? I explained I was at an AirBnb. He said I could just leave it there with a note. I thought that would be very rude — I know that you’re not allowed to abandon rubbish, and that it isn’t easy to get collection for large items in the whole country, much less London. I decided no.

I then lost a whole afternoon running around London looking for a shopping trolley, a skateboard and bungee cords, a wheel and bolts with nuts, anything to restore some mobility. After two Robert Dyas shops, a call to John Lewis, three luggage shops, an email to a repair service (we don’t have parts for that brand), and an online chat with a Nisbet store rep (we can deliver tomorrow for only 15 pounds more!), I bought the only hand cart I found, which is heavy, and a pair of bungee cords. (The review of Robert Dyas said, “I don’t know where else in London I could even go for such things”, and they were right.)

Here’s the solution. True to metaphor, it is in some ways easier, in other ways more difficult. It’s easy to push, more so than the original four wheels. But the wheels are “dumb”, so it’s not as maneuverable, and of course it adds a lot of weight (about as much as those plastic cases I said no to).

First attempt, but can’t put handle down Re-engineered, without a degree in engineering

So now I’ll be clumsy, just because I didn’t like the options. Quite silly, really. I like this case but it can never be repaired, and I’ll certainly never again buy a four-wheeler with wheels that stick out. When I first looked at it online, my thought was, “won’t the wheels snap off?” But it got such good reviews, so I followed the crowd.

Instead of being hit by a taxi, I’m pushing an improvised suitcase all over England.

Orders for The British Library

If all goes well, I’ll be returning to England in a few weeks (yay!), to try to finish the research for what I’m calling “Book 1”.

I need quite a few things from the British Library, which as a Reader with a card, I can order online in advance. About half of what I need has a 48-hour delivery time. When you click on the link to order, the system tells you that you are limited to 10 “items” per day, and that consecutive “issues” count as one item.

So I tried to start with the journal The University Correspondent. I need several articles in several different volumes (years) 1891-1893. But what constitutes an “issue”? The online catalog doesn’t say how many issues are in a volume, but I’m pretty sure it’s too many to make all three years one “item”. So I wrote to the helpful people at the Library, who emailed back next day to tell me that since this journal’s volumes are half a year, the “issues” would be six for January-June, and six more for July-December, in each volume. So that’s six “items”, even though I only need a few short articles from specific issues.

I’ve ended up ordering 20 items from the British Library, so they must be parceled over two days.

I know the drill. First through security with all the tourists coming to see the exhibitions, then downstairs to the lockers. Put my Readers Card, passport, papers, notebook, mobile phone, pencil, laptop, cord, and wallet in the clear plastic bag. Everything else in the purse. Find a locker where I can actually turn the lock (about half the lockers have their lock stuck closed although the door hangs open). Put my purse and water bottle in, then close and latch the door. Remember to put my code in twice, not once (last time I had to get a guard to open my locker at the end of the day). Upstairs to Humanities 1 Reading Room. Show plastic bag and Readers Card to guards. Find a table first, put something there to hold it (this is the tough part – what to leave on the table?), note the number of the table in the notebook, then go to the desk, show my card, say my name, tell them my table number, and chew off my nails as I wait to see whether what I ordered is actually there (that runs about 80% after three previous visits).

This trip, though, I have a backup plan. I will stay in London first, and go to the Library my first two days there (jet-lag city). Then later in the trip I’ll stay at Wetherby, near the Boston Spa location of the British Library. And I’ll have a few days in between, so I can request things that have a 48 hour tag. That gives me two chances to get everything I need.

Working in the reading rooms is both good and bad. Good is that there is plenty of space to work, a free scanning machine to scan pages and email yourself the scans, and helpful people at the desks. Bad is that you can’t take in water or food, so it’s easy to get hungry and thirsty. The chairs are just chairs, not comfortable. It’s so much trouble to exit the building and return (replay the paragraph above with the bag and lockers) that the tendency is to do whatever you can to stay till you’re done. This includes eating at the Library, where the nicest place to eat is quite expensive, and the least expensive place has nowhere to sit. On many days I’ve been there, every available desk or chair that isn’t in a reading room is occupied.

This time I’ll also need some items on microfilm, from the Pall Mall Gazette. I shouldn’t need them. The library has digitized these, and one can access them free on machines in the Newsroom, which I have done, but several words in the articles could not be seen clearly on the screen or the resulting printout. Plus, printing is a difficult process that involves going to the Newsroom desk, showing your card, getting into the computer system to access the card settings, getting help because it never works the first time, taking out a credit card to add money to the reader card, then going back to the printer to insert the card and print one page at a time after carefully lining things up on the difficult-to-use reading machine. I even paid £12.95 in March for a month’s access to British Newspaper Archive, so I could see if they had a better copy – it was a bit better but I’m still missing words (I’m transcribing, so missed words are important).

It’s the sort of thing one doesn’t so much look forward to doing, as to being done. But heck, I don’t care, because I’ll be in England, my favorite place. And when I’m done starving and getting dehydrated and stiff in the reading room, I’ll have days of train rides and unpredictable weather that everyone talks about. I’ll have a few days of international accents all around me, followed by more days of English accents all around me. I’ll be there for the European Parliament elections, because the UK can’t do anything politically important without me there. I’ll go to Evensong and art galleries and see my friend Jenny. And when I return to teach my summer classes, I’ll finish the book somehow and do the proposal, and move on to more work with Mr. Wells.

Voices in the ground

I read today in one of my “guilty pleasure” magazines (Discover Britain, Feb 2019) that John Steinbeck lived for six months in Somerset. Apparently he was quite the King Arthur fan, and stayed within sight of Glastonbury Tor.

                            Avebury, 2005

What struck me was this quotation (p39), from a letter in summer 1959:

“It’s more than meadows and hedges – it’s much more than that. There are voices in the ground.”

And that’s it for me too, although I couldn’t have put it so well. That’s why I love England as only an American can (like Bill Bryson without the talent, or a reverse Alistair Cooke). I was born there. I know the voices in the ground there. I cannot hear the voices where I live, even after all these years.

I always liked history. Just as HG Wells read Chambers’s Encyclopedia while in apprenticeship at a Southsea draper’s shop, I read the Encyclopedia Britannica sitting on the floor at home as a schoolgirl. Ancient Egypt and the American Revolution were my specialty. I invented my own hieroglyphics and could draw out most of the battles of the revolution.

So it shouldn’t have been a surprise when I went on a family tour of the historic east coast of America in 1977, and I could feel the battle as I stood at Yorktown in Virginia. It happened there, the connection between me and everyone who had been there. There were voices in the ground.

That didn’t happen again until I went to England in 1981, for the first time since my birth, just to visit. There were voices in the ground everywhere I went: London, Stratford-upon-Avon, Edinburgh. Upon my return, I went to UCLA as an English major, but was seduced away by a history class (in retrospect, since my professor was Joyce Appleby, that shouldn’t have been surprising either).

                                Lancaster, 2017

I went to college, I went to graduate school, I became a community college teacher of history. I visited England in 1992, in 2005, and much more often since 2014. Each time the disconnect between those senses of the past and what students experience in the classroom seems to widen.

Of course, it’s hard to “visit” history. It isn’t really there. It’s buried under a carpark, or is recreated with a horrid “soundscape” to make it exciting, or Jack-the-Ripperized into a tour. You’re always a tourist when you visit the past. But if you do, like Steinbeck, know there are voices in the ground, it’s very real.

 

 

Conversations with cab drivers

Americans have a thing about taxis. Who doesn’t know the song Big Yellow Taxi? or the Harry Chapin song? or the movie Taxi Driver? (OK, I admit I haven’t seen it.)

But if you’re studying Victorian England, taxicabs have a much longer history, going back to all those characters who drove cabs through the foggy streets of London, ferrying criminals and Members of Parliament (and some who were both), sitting on top of the hansom in the rain, water dripping from their tophats. Cab is, after all, short for cabriolet.

Today’s London taxi drivers are know for the black cabs, aka hackney cabs, a stalwart breed of transport determined to make its way among the private cars, limos, minicabs, and now Ubers.

Despite that scary episode of Sherlock, this trip I took more taxis than usual. I had budgeted for that — less Guinness, more taxis, as if fewer glasses of high-caloric stout would make it ok to do less walking. I use the standard pair of excuses: Heavy Luggage, and Woman Alone at Night. Plus the new one: Too Old for This.

So I talked to more taxi drivers than usual. In the old days, the drivers would talk to you immediately. Now, with the heavy plastic window in between, the fact that the passenger seat is far to the back means that it’s more difficult to hear each other. You really have to try. I also suspect that more passengers spend the trip looking at their phone (or talking into it – I understand these things do make calls). I have to talk first, and of course I want to, because I want to hear their stories.

I learned last trip that a guaranteed conversation starter is to ask about Uber. I was in a cab going around the London Central Mosque near Regents Park. The driver had asked if it was OK to take that route, I assume because I was American or something. I said of course — I’d love to see it. But on the way we were held up by an accident, and according to the driver, the body under the tarp (it’s awful to think about this) was probably a cyclist hit by a car. He said that’s happened more and more since Uber came. The Uber drivers don’t have The Knowledge (the exams all black cab drivers must take), they get confused, they don’t pay attention, they hit people.

Since that experience, Uber was first banned, then allowed back but regulated, so I ask drivers about their view (I only take black cabs in London, on principle).

One driver said that Uber was such a problem he was going to take classes and retrain for another job. He claimed that they had pretty much pushed out the black cabs with their cheaper pricing, that it wasn’t profitable anymore. But the next cab driver told me he was doing just fine, that Uber had its own problems and people want quality, not just a low price. They want drivers with The Knowledge. When I asked about the Gett app I’d used to call for a cab (he had a Gett sticker on the window) he told me that some of these services take too big a cut and aren’t good for the drivers. He told me about better apps like TaxiApp, which was created by the drivers themselves, and handed me a flyer.

I had a female driver with the lovely south Asian accent who talked with me about her children and how they’re learning to drive. She told me she couldn’t tell where I was from since I sounded half English, half American (I try to keep my California accent, but it’s hard to do). In another cab the driver was playing classical music, and I asked him to turn it up.

I had two drivers who sounded like they were Londoners. One conversed with me about the 80s music he liked. He told me his grandmother was in Brian May’s classroom at school when May was a maths teacher. One day the teacher announced he was going off to join a band called “Queen”, and wouldn’t be their teacher anymore.

The other Londoner turned out to be from East Germany (when that term was used) and told me how he’d come to America only once, to drive a friend’s car from Florida to California. He spent the night in jail in Texas when he was pulled over, a foreigner driving a car that wasn’t his. While the police tried to get it straightened out by contacting his friend, they ordered a “pizza pie”. What came was not what he would call pie — he tried it and decided it wasn’t food and that he didn’t like America.

Despite both the presumed British reserve and the impoliteness of talking about politics, religion, or sex, I’ve never had a cab driver who wasn’t happy to talk about politics. I’ve mentioned that just after the Brexit results came in, I asked my Durham cab driver whether he was a happy or unhappy voter that morning. He was “over the moon”, convinced that the NHS would be saved by money coming back from Europe. This trip, one driver asked me if I was a Trump supporter. Just as I was about to launch into the series of apologies I use on such occasions, he said, “I think he’s great. Really shakes things up!” I had to agree that yes, he does do that.

As for The Knowledge (one driver told me it took him almost four years to pass the exams), I have extraordinary respect for it. But I have to tell you — I’ve never been in a cab where I didn’t have to give directions, and I have often been driven past the address. What black cab drivers know, though, is the streets. They know every stoplight, the flow of traffic, where the pedestrians are, what route is best at what time of day.

My favorite hackney driver this trip asked me why I was in England, and when I told him he asked me intelligent questions about my research. When I asked how long he’d been a driver, and he said 15 years, I asked if he liked his job. He said yes, because he gets to drive so many different kinds of people. Movie stars, government officials, prostitutes, and academics like me. He learns something from everyone he drives, and has gotten himself a real education. A university in a cab. Can’t argue with that.

 

 

Lisa’s Magical History Tour: a syllabus for London and beyond

I think sometimes that I should take a group of students to England for my History 105: History of England class. There are such opportunities. One can teach for a community college consortium that offers a short semester in London, or work with an education abroad tour company. Trouble is, these create the curriculum and/or activities, and put you in a classroom. And all you do is teach. That has never been my way.

So in the spirit of one day teaching my class in England, here is a possible syllabus. I center it on London because there are classrooms there and easy transport to elsewhere. But no classroom would be necessary, nor particularly desirable. So this is a syllabus not only for a college course, but for anyone traveling there who wants to do a history tour! I list tube stops and rail stations, but it’s better to learn the bus from wherever you are – fewer stairs, cheaper fares (get an Oyster card), and you get to see so much more. Leave each day after 9 am, and avoid all transport between 4 and 7 (eat an early supper).

None of this relies on a car. You shouldn’t drive there unless you’re British. Really. Unless you’ve memorized this. For Americans, BritRail passes can be purchased in the US only, before you leave only.

Overview

Begin at the Museum of London.

It isn’t overwhelming, but this museum effectively walks you through the entire history of England, beginning with geological time and going to the present. It’s beautifully designed, basically a syllabus in itself. Take notes in the order of chronology, then carry those with you through the rest.

Barbican

Prehistoric England

Field trip to Avebury and its barrows and museum
Why not Stonehenge? First of all, it’s a zoo, with too many tourists, and a long walk, and then you can’t even touch the stones unless you’re on a special tour. Avebury you can walk around and touch the stones (and pose with one, as I am doing), plus see barrows, plus learn about everything. For free.

Paddington Station to Swindon, then Stagecoach Bus 49 (a little over 2 hours)

Anglo-Saxon and Viking England

British Museum
Contains objects from the Sutton Hoo excavation, including the ship. And even though it isn’t exactly British history, while there be sure to go to the Assyrian Lion Hunt reliefs, which are from the 7th century BC and are truly amazing.

Russell Square

Field trip to York – Yorkshire Museum
Not a huge tourist attraction, but a small and wonderful collection of everything you need to appreciate the era, including some fabulous swords.
And, if you must: Jorvik Viking Center Museum

While in York, jump eras and enjoy the medieval Shambles (don’t miss Margaret Clitherow’s chapel) and an entire Victorian re-creation at the York Castle Museum. Oh, yeah, there’s a cathedral there too…

Kings Cross (2 hours)

Roman England

The Mithraeum, The City
Mike Bloomberg’s contribution to the history of London, by moving an ancient Roman temple to Mithras where it can be seen the the basement of the Bloomberg building. Overly dramatic lighting and sound helps one imagine the temple as it would have been, but the ruins alone are very cool. But, as noted before, you’ll need to teach about the rites of Mithras.

District or Circle line – Cannon Street

Field trip to Roman Baths in Bath
Bath is really more of an 18th century place, but the Roman Baths are so complete they’re a must-see. To jump eras and go all 18th century, tour the town.

Paddington to Bath Spa (1.5 hours)

Field trip to Fishbourne Roman Palace in Sussex
If Roman mosaic floors are more your thing, this is the place. It was excavated in 1960 by Barry Cunliffe shortly after its discovery by a water engineer (this is the same Sir Barry who was so kind in helping get his textbook for my students). There is also a museum on site.

London Bridge (a little under 2 hours)

Norman

Tower of London
Crowded with tourists, the Norman feature here is the White Tower. Skip the Crown Jewels and crawl around the tower any way you can. It is pricey, at £23/adult, but you can also see the Bloody Tower and the Royal Mint exhibit. The courtyard itself is of interest as it surrounds the tower and makes it easier to see how a castle worked, with central fortification and outbuildings. Also nearby is Tower Bridge, but that’s Victorian (and a damn good piece of engineering).

Tower Hill

Field trip to Hastings
The ruins of Hastings Castle are a 10-minute walk from the rail station.

Charing Cross (but also stops at Waterloo and London Bridge stations) (1 hour, 45 minutes)

Overnight field trip to Durham
Norman castle, Norman cathedral (voted best Evensong by…me!) – the place drips with Norman stuff. Plus England’s third university. If it’s summer (till mid-September), stay at UniversityRooms in the castle if you book far enough ahead.

Kings Cross (3 hours)

 


Medieval

Field trip – Canterbury Cathedral

From Private Eye

Assign The Canterbury Tales (or at least that of the Wife of Bath and one of the churchmen) then go here. Visit the site where Thomas Becket was killed and compare it to assassinations today.

from St Pancras (about an hour)

Westminster Abbey
Although finished in the 16th century, it was begun in the Middle Ages, and Chaucer is buried here. If you don’t mind missing Poet’s Corner, the best way to enjoy it is for services, since there are no crowds.

London Bridge (a little under 2 hours)

Temple Church
I couldn’t care less about The DaVinci Code, but it’s because of that book that it’s so hard to get in and see Temple Church, which is really quite lovely inside. It’s now £5 to visit, and I don’t blame them a bit, but as with all recalcitrant churches, I suggest learning a bit about Anglican traditions and going to a service (and donating accordingly, of course).

Temple or Blackfriars – it’s a little tricky to get to so see their advice


Elizabethan

While it might be tempting to go the Old Globe, it’s a new building and the performances I’ve seen have not been sterling. If you’re really into the Tudors, I’d stick to the Tower of London and Hampton Court Palace instead.

Hampton Court Palace
The kitchens are fantastic! It costs more (about £20 per adult) but worth it.

 District  to Richmond, then bus R68 (a little over an hour)

Field trip to Portsmouth
Home to the Mary Rose, Henry VIII’s flagship raised in 1982. A little pricey at £17, but cheaper online in advance and how often do you get to see a 500-year-old ship?

Waterloo to Portsmouth Harbour (about 1.5 hours)

English Civil War

Banqueting House
Built by Inigo Jones (1622) and featuring a ceiling painted by Rubens (enjoy looking at it from comfy bean bag seats), this is the last surviving piece of Palace of Whitehall. Charles I was executed just outside the first floor window, where they built a scaffold so everyone would have a good view. It’s mostly one giant room, so see it on the way to or from other sights on Whitehall.

Westminster

Restoration

St. Paul’s Cathedral
The original having burned down in the Great Fire (see the model at the Museum of London), Christopher Wren rebuilt nearly on the full footprint, 1675-1708.

St Paul’s

Monument
Right next to the tube station, it’s impressive and if you want to wait in the queue you can go to the top. Also built by Christopher Wren. See my discussion of the Great Fire and its commemoration in my previous post.

Monument

Greenwich
There’s the Old Royal Naval College if you can’t get enough of Christopher Wren, but the reason to go is the Prime Meridien, where time starts, and the Royal Observatory, financed by Charles II and at first housing John Flamsteed, royal astronomer and creator of a fabulous star atlas.

London Bridge to Greenwich (also by DLR over-ground train) about 25 minutes

 


18th century

Portsmouth againCaptian James Cook, Captain Bligh – so many names are associated with Portsmouth.  Nelson’s flagship The Victory is there, which is why I put this in the 18th century, but so are

St Martin-in-the-Fields church, Trafalgar Square
Not just for visiting the architecture, but instead of services go for the fantastic music (classical in the evenings, and jazz) and the Crypt Cafe underneath, which has good food and you eat right on top of the tombstones. Neo-classical architecture.

Charing Cross

Strawberry Hill, Twickenham
Horace Walpole’s neo-Gothic Georgian monstrosity. He set a trend in Gothic Revival. Not necessarily a good trend, but a trend.

  Waterloo to Strawberry Hill
 District  to Richmond, then bus R68

Osterley House
Built earlier, but reformulated by Robert Adam in the 1760s. The most complete Adam there is.

A bit tricky, but I’d take the tube to Bow Street and change to the light rail to the Langdon Park DLR station.

Industrial Revolution

London Science Museum: Energy Hall
And even beyond Energy Hall, there are fantastic exhibits about the history of agriculture and much more. Worth finding! Jump to the later industrial era at the Victoria and Albert Museum next door (be sure to eat in the Morris Room at the cafe), then walk up Brompton Road to Harrods (although the current building is actually Edwardian).

South Kensington


Victorian

Old Operating Museum and Herb Garret, discussed elsewhere on this blog, it’s a long hike up a small windy staircase but the payoff is the only operating theatre from this era, where they now give lectures on the history of medicine, plus a garrett full of herbal remedies and old medical instruments. (For jumping eras, the Shard, Southwark Cathedral, and Borough Market are all nearby)

London Bridge

— or — Grant Museum of Zoology, a Victorian museum still used by the University of London. Lots of squishy dead animals in jars — very cool.

Euston Square

Leadenhall Market
Don’t go on a Saturday if you want to eat or shop — it’s in The City so not much is there on the weekends except the buildings. And yes, yes, it was in Harry Potter.

Monument

Victoria Embankment
Walk along the river. The Houses of Parliament are Victorian neo-gothic, and there are statues from the Victorian era, and representing Victorian people, along the way, especially in Victoria Embankment Gardens. If you prefer the southern route (no traffic! pedestrians only!), try Queen’s Walk.

Red House, Bexleyheath
Not quite a field trip, but a little out of the way south of London. Home of William Morris, completed in 1860, with lovely designs and secret paintings on the walls.

Charing Cross, Victoria, Cannon Street to Bexleyheath, then 15 minute walk

Field trip to Oxford for the Natural History Museum/Pitt Rivers Museum
Covered elsewhere on this blog, you can’t get more Victorian than these.


Fin de Siecle, First World War, Between the Wars

Imperial War Museum
Also good for the Blitz.

Elephant and Castle, then walk
Memorial in Foxton, sponsored by William Briggs

Every memorial cross in every town
Most towns have a memorial cross to the fallen of the First World War. In London, there’s the Cenotaph in Whitehall and the memorial to war animals in Park Lane.  Every cathedral and many churches have memorials. Poppies are still visible on memorials and still for sale as pins, and not just because of the centenary.

Barbican

Senate House

Part of the University of London, it was begun in 1932 and is hugely Art Deco. During the world wars it was used by the Ministry of Information, inspiring both Graham Greene and George Orwell to use it as fearful ministries in their books. It’s used a lot in movies. The area of Bloomsbury which is next to it was the home of the Bloomsbury Set (writers including Virginia Woolf, John Maynard Keynes, E. M. Forster and Lytton Strachey, plus artists like Vanessa Bell).

Russell Square

 


World War II

Cabinet War Rooms
Technically part of the Imperial War Museum, the war rooms are expensive at £19/adult and can be crowded. They were opened in 1984, which is “new”, so many people haven’t seen them yet (including me).

Westminster

HMS Belfast
Also part of the Imperial War Museum, it’s right there on the Thames, and it’s enormous. The ship saw action in World War II, but more in Korea and as an Arctic exploration ship. You can climb up and down the stairs and visit re-created areas (the galley and sick bay are especially good) with mannikins so real they’re kind of spooky.  A visit is easily combined with Old Operating Theatre and other Southwark attractions to jump eras.

London Bridge

Field trip to Dover – for the intrepid only!
If you can go here without singing “There’ll be bluebirds over the white cliffs of Dover“, you haven’t seen enough old movies. You can visit the tunnels but you have to get a ticket and then walk a long way to get to the tunnels.

Victoria Station (about 2 hours) to Dover Priory, then it’s a couple of miles so Bus 60, then a long (American) walk — worth a taxi, and they’ll call one for you from the visitor centre when you’re done

 


Post-war, 1950s-1970s

Dennis Severs’ house
Part installation art, part history, partly bizarre, created by an American. You need to book in advance and it’s not really marked on the outside. Only a few people may go in at a time. The three floors are supposed to represent a Flemish family’s house from the 17th to 20th centuries, but by the time you get done you’re celebrating the coronation of Elizabeth II. Must be experienced to be understood.

Liverpool Street, then walk

National Theatre
The company is a bit older than the architecturally controversial building, which opened in 1977, so it was new when I first went there, and I felt very welcome. Like the Royal Shakespeare Company and the Royal Opera House, it’s a public theatre. There has always been a sense that it belongs to the people, that its purpose is to provide a creative space for the city and its populace. Ticket prices are good and performances excellent.

Waterloo

Camden Market

Carnaby Street may not be what it was, but Camden is as close as you can get to the spirit of 1960s London.

Camden Town


Late 20th-21st century

Tate Modern
There is no better venue for modern art. Open till 10 pm Friday and Saturday. Take the lift to the Restaurant and pretend you’re looking for something, just to see the view.

London Bridge or Southwark, then walk

Millenium Bridge
Right out back of the Tate Modern is the pedestrian bridge. Apparently it had a swaying problem at first, but it was corrected. From the bridge, which crosses the Thames to near St Paul’s, you can see many of the newer landmarks of London.

 

So that’s Lisa’s Magical History Tour. Enjoy!

On this site

There is nothing more basic to history than the idea that things change. Buildings are torn down to make way for what society needs at the time, or what business decides it needs. In Britain, buildings can be saved by being “listed” as Grade I, II*, or II. Grade I is for places like Buckingham Palace. Listed buildings cannot be torn down or altered without permission, so people often complain when they want to make upgrades on their listed house. The idea goes back to a monument protection act in 1882.

Not all places that are lost were torn down, of course. The Great Fire of London in 1666 did a number on the whole city, destroying many buildings. Commemoration of these places is also part of history. Pudding Lane, where the Great Fire began in a bakery is commemorated on the site:

It’s almost as if the bakers themselves have taken responsibility. Around the corner is Christopher Wren’s enormous monument to the fire, somewhat hidden by modern buildings.

 

This always strikes me as a monument to the resilience of an extraordinary city. But in the Museum of London is the other part of the monument, a reminder of the ability of humans to blame each other for their differences.

 

Put up in 1681, it blames Catholics for the fire. Another example of how monuments are interpretive objects, not just memory, as I’ve written before about Confederate monuments in the American Civil War. The British get the idea of putting objectionable history in a museum so people can think about it, not just pass it on their way to work.

In my own research, removed and altered buildings are more of an issue. The University Correspondence College in Cambridge looked like this:

This trip I stopped by Parker’s Piece, which the College overlooked. It was, appropriately, Freshers’ Day on the Piece, with a festival to welcome incoming students to the University of Cambridge. And here, where the UCC used to stand, is the carpark I’d heard about.

Isn’t it lovely, with the cars hidden by white slats? When I mentioned to a Cambridge resident and distance education expert over coffee that it was a shame that one had to tear down such a beautiful building, his remark was, “for those who like that sort of thing”. We agreed it had been a Victorian monstrosity. I just happen to like Victorian monstrosities.

In other places, buildings remain but have been repurposed.

Up on Kilburn Road in London is the site of the old Henley House School. Here J.V. Milne was headmaster, and H.G. Wells was a schoolmaster. But it’s A.A. Milne, author of Winnie the Pooh, who gets the plaque. And the buildings are now flats.

The old site of the laboratories at South Kensington, where Wells learned biology with T.H. Huxley, has been absorbed into the Victoria and Albert Museum photographic archive and library which, unfortunately, has no photos of the original labs. These might be at what South Ken became, the Imperial College, but that’s a search for another trip. Outside, however, the building remains.

Sometimes historic sites are uncovered in the process of creating new sites. There are several rivers under the streets of London (the Fleet comes to mind). Walbrook River was the water supply for an ancient Roman site which included a temple to Mithras. According to the publicity, it was discovered in the 1960s and reconstructed hastily at a nearby site. I certainly never knew it was there, and I couldn’t find anything on the internet about its existence prior to now.

Michael Bloomberg, creating his European headquarters on the old site, had the temple moved back to near where it had been, and gifted the City with a tourist destination. You can now see the Mithraeum below his building. Extraordinary amounts of money have been spent. It is free, but timed tickets are required, and only 20 or so people are allowed in for a timed visit. The steps down to the temple mark the archaeological eras on the wall. Sound and lighting effects (wonderfully cheap LED lighting effects — I couldn’t have done better in my days as a theatrical lighting designer) make it an “experience”. 600 of the items they excavated are in a case in the waiting area.

Having spent a number of years in the theatre myself, it always intrigues me when history becomes theatre. Sometimes people’s imaginations need to be encouraged in order to engage the past at all, and of course Bloomberg and others employed archaeologists and historians, which is always a good thing. However, I remember being at a conference on visual history in Durham, and hearing a historian who had worked in Stratford-upon-Avon. They were creating Shakespeare’s schoolhouse as a tourist attraction, and had hired historians to verify the details. The trouble is, there is no evidence at all of which school Shakespeare attended, whether the school would still exist, or whether he even attended school there or elsewhere. This has not stopped it from becoming an attraction, refurbished as accurately as possible to the period.

As well as including things that may not have happened, artistic license for history can also leave things out. The Mithraeum, while noting the slaying of a bull as sacred to the proceedings there, does not mention the gay orgies that were an integral part of the religion. I suppose that would be a bit much for the tourists.

 

Books!

I confess — one thing I always do in Britain is visit second-hand bookshops. I can’t walk past one. From Oxfam charity shops to G. David in Cambridge, I have to take a look.

Among my acquired treasures this trip are Essays of Elia by Charles Lamb (from Wheeler’s Bookshop in Midhurst, purchased from Simon Wheeler personally), a book of 19th century plays (£1 from G. David), a book by Charles Williams in the same imprint as another I already have (Oxfam), a ration book from 1947 (20p at Blackwell’s), a book called Cricket Matches 1860-1863 (one of a series) that shows Joseph Wells (HG’s father) bowling that incredible four-thing I still need to figure out, and the Cambridge Lectures of Sir Arthur Quiller-Couch (£2). This last has a sticker in it showing it was once owned by H.H. Huxley, a Cambridge professor of classics who apparently likes to change English into Latin (sounds like alchemy to me).

I’m afraid I feel a little like Helene Hanff, minus the New York part, and the successful author part. And minus the martinis and cigarettes (I could work on that if I put my mind to it). But still. She was my age when she published 84, Charing Cross Road. Like her, I seek bargains, and have particular books I want. Like her, I am seeking to educate myself because of gaps in my education. Thus I am specifically looking for small-format, hard-cover, older editions, small enough to carry in my purse, or hold over my head in bed without risk of dropping and chipping a tooth.

Now that the Royal Mail doesn’t have a “printed rate” anymore, it costs a bit more to send them home, but you can post a box of up to 5kg so long as it’s all printed material (otherwise you can only go to 2kg).

All this doesn’t mean I don’t also go to shops with new books. Must help authors who are still alive, I say.  This trip it’s Daunt Books for that, since I’m in Marylebone. The front room has all the books for reading.

Daunt Books, Marylebone

The back room is for travel books, but really it’s just to look at the back room, which is justly famous. Not the best picture, but it’s ok.

Time to stock up on new fiction paperbacks!

 

The Cafe Royal

It is the place of kings. And queens. And Oscar Wilde and David Bowie (whom one might put in either category). And Churchill.

I didn’t know most of that at the time. What I knew was that I had promised to take my friend Jane to tea while we were both in London, a fancy afternoon tea, the kind you read about. So I looked online.

I had originally thought The Dorchester. Oh, maybe a bit too expensive, but booked out anyway. Fortnum and Mason? Grocer to the Queen, but still — a bit ordinary. Harrods? Out of the way, since I didn’t want to be in South Ken on a Sunday. But of course I was drawn to Cafe Royal. They were booked for all but unreasonable hours (does one really want to drink full pots of tea at 7 pm?), but I kept checking online and something good opened, so that was it.

Cafe Royal was where Oscar Wilde fell in love with Alfred. That’s all I needed to know.

I was early, so I wanted to see where to go. I knew it was at the Hotel Cafe Royal. I saw a cafe through windows, but it looked rather ordinary. Surely that couldn’t be it? It took me a minute to realize the doorman was there to open the door for me, not to prevent me from entering, so I went in. Just a big lobby. I approached a desk with a man sporting a helpful expression. I smiled. “I’m lost”, I said. He looked sympathetic. “Aren’t we all?” he said, but eschewed philosophical discussion and pointed me toward a door, a very private-looking door except that it had a podium in front of it. The sign said “The Grill Room” so I knew that was it, and went outside to wait.

Well, not wait. It’s London, after all. One short passage and I was in the largest Waterstones bookshop I’d ever seen. Six floors of books!

Don’t worry — I just bought one book. A Julian Barnes. I’ve never read Julian Barnes.

We had the afternoon tea of our lives in the Grill Room. A host took my Marks and Spencer trench coat to the cloakroom, where I had to hunt it down later, then forgot to tip (does one tip at a place like this?). A waiter advised us throughout the meal: start with black tea and end with tisane, start at the top with the first caddy and at the bottom with the second, and would we like more of anything? A man in a hat played “Tea for Two” on the piano. I haven’t been this pampered since I was in nappies, as they say. It is amazing what money can do. What it couldn’t do, however, was make me appropriate to that room. A middle-class, chubby, underdressed, 50-something American academic just doesn’t fit in (Jane did much better — she’s always lovely). So I’ll just end with photos.

Pillars, Cafe Royal
Can you see us in the mirror(s)?
Round one
Round two

Finding HG

One may have thought, for all the tourist things I’ve been doing, that I’m not doing my research. But it’s easy to show I’m working on HG Wells, since he is everywhere. I bought a copy of Christina Alberta’s Father at a second-hand bookshop. I have a copy of The Sea Raiders in my purse. And, of course, there are the plaques:

HG Wells plaque, Chiltern Court, Baker Street

This one is right next to the entrance to the Baker Street tube.

According to The Independent, HG hosted a book club here in a flat, and a lot of other famous people are associated with it as well. Apparently Wells lived here between 1930 and 1936 (not a period I’m studying).

And then, of course, there’s the rabbit hole of information they call the British Library. They have a tendency to be open till 8 pm, making it possible to miss dinner (always a crime in my opinion). Since you cannot bring water or food into the reading rooms, I easily dehydrate since I get too absorbed in my work to leave my table and go outside the area, taking my card to get back in, to get a sip at the drinking fountain or have a meal at the lovely restaurant.

British Library restaurant

I suppose if I dessicate completely, they can just cart me down the road to the British Museum and put me with the mummies.

My task yesterday was to take a peek at a few journals, to see if a periodical research project is viable. But while flipping through one of them, I noticed an item mentioned that in another journal, HG Wells had recently written a piece on text-books. Now, I thought I had all of his pieces on textbooks. I ordered it, meaning I’ll have to return in two days, the day before I leave, just to scan it.

After leaving the reading room (it had been six hours with only one tea break), I went to the News Room, because I couldn’t remember where one could access the British Newspapers Archive. They told me you could access it in all the reading rooms, but theirs was the best, because obviously it was the News room.

You can search the newspaper database online, but unless you pay you cannot access the newspapers. Except at the British Library, where it’s free. And you can print, for 28p per page.

Ah, search terms. “H.G. Wells”. Funny, doesn’t seem like enough came up — only a few dozen items. “H. G. Wells”. What a difference a space makes! And you can limit the search to years: 1880-1899.

Now: “University Correspondence College”. Just the same articles on Briggs’ legal tangle that I saw last time. “Correspondence study”. A few items of interest. “Correspondence college”. A few more. “Samuel J. Tildesley” (I’ve seen him in ads before, for a correspondence college in Edinburgh). Oh! He went bankrupt, even before the ads I’ve seen. The only thing more fun to research than a successful business venture is one that was unsuccessful…

 

Last stop Oxford

I have no idea why I like Oxford so much. I avoid George Street like the plague, would walk miles to avoid the toilets at the rail station, and head for the Eagle and Child only to end up at Itsu. But I know my way around, could spend all day at Blackwell Books and the Natural History Museum, count walking Port Meadow as one of my all-time favourite activities, and I love the Bodleian.

It’s silly to love a library. And of course, I’ve been there before. But it’s centrally located, unlike the Cambridge University Library, and they are so kind.

My library card had expired on June 22, so I had to do the application for a card over again. But they updated my card, upgraded my status so I could view a special collection, and gave me a new card, all in minutes. Didn’t even make me do another photo. Because my card had expired, they had permitted me to order everything I needed by email instead, and it was all ready for me.

Now, the Bodleian isn’t perfect. The card costs quite a bit. There was no trolley to haul my books, like I’d had at the British Library — it took me three trips from service desk to table. There was no drinking fountain conveniently located – it was down three flights of stairs. And their computer system did erase my entire e-cart when my card expired, forcing me to reconstruct my list the week before I left. But love is blind.

In the Weston (new) Library is the John Johnson Collection of ephemera, with Box 43: Education. This was why I needed special clearance. I arrive and was given the precious box, and told there was another (Box 45, apparently) waiting for me too. I was seeking ads or items about correspondence colleges. Many of the items were fragile, and this condition was not helped by their being taped to pieces of heavy paper. I managed not to tear or soil anything, and found gems like this:

Note the date, though: many items were from the 1930s rather than earlier. But I did found some, and I was happy, and I went up to ask for the other box, but was told I had to return the first one before I could have it. So I handed it to the librarian, and he got me the other box. This had more things about lower schools, rather than colleges, but had some interesting tracts on eduction, such as Illustrations of the Interrogative System of Education (1823) by a Sir Richard Phillips that recommended what we today would call “active learning”.

That’s when I packed up Box 45, stood up to turn it in, and realised I couldn’t find my library card. I looked all round my desk, and in my bag (they make you put everything you can bring inside a clear plastic bag – nothing was hiding). No card. I thought, “oh no! it got mixed up with these papers!”  I took every item back out of Box 45 first and sorted through every single page, carefully turning each item individually, but it wasn’t in there.

I thought, “oh no! Box 43!”. The librarian had kindly advised that I not declare that I was finished with a box until I was quite sure, so he’d kept Box 43 for me. I told  him he was right (but not why) and exchanged boxes. I carefully went through every single item in Box 43. No card. And here fate intervened, as another scholar went up to the desk to check out an item, and handed over his card, and said, “you keep that, then?” and the librarian explained that yes, they keep your card as long as you have a box out. It is a sign of how tired I was on this trip that I had forgotten he had kept my card.

Over at the Old Bodleian, where your card is swiped instead of held, I discovered that Bodleian librarians are quick with a knife.

One of the journals I’d ordered had clearly never been read, not since it was printed in 1888. I know this because the pages weren’t cut yet. At first I thought it was just one page, but there were many. After the third time bringing it to the desk so the librarian could cut one with a letter knife, he asked if I would like the knife so I could cut them myself? I told him I’d be terrified. I was quite sure that I, clumsy at the best of times, had no business slicing open 130-year-old pages. Thanks, though.

I found many advertisements I was looking for, and a photo I needed.

So why do I love the Bodleian?

Among the many other reasons is this: the windows.

Not only do they allow light in, but the staff still permits me to take items to the window to photograph them in the light. At the British Library, as I’ve complained to many people, they request that you don’t even stand up. The National Archives has camera racks, but if  you don’t have an old-style camera the rack just blocks the light. Cambridge is better, but the light is artificial.

But at the Bodleian the sun shines on your work. Worth the whole thing.

 

World Cup and Brexit

As it happened, I was here in England when the Brexit vote occurred two years ago. The night before the vote, I had dined with some European students who were concerned about their education and their personal relationships, both of which depended on free movement between Britain and Europe. The next day I heard from a cabbie how thrilled he was at the vote, because he was convinced money would come back from Europe and save the National Health Service. I witnessed the complacency of the papers announcing the polls showing a Remain victory, and the despair of educated people following the vote.

Two years on and Britain is still in the throes of polarised politics, even as the May government struggles to survive under criticism (much of which is manufactured by the media to sell papers). The snap election May stupidly called made everything worse. The government has an impossible job, and the Labour party has bizarre leadership and strange ideas of how to garner support. The Lib Dems continue to languish, even as their policy proposals make the most sense.

Britain is also having a heat wave right now, with everyone talking about how unseasonable the weather is. (I’ve been here each summer for the past several years, and always during a heat wave, so I’d say this is the new normal season — I’d call it “summer”.) The moors caught fire and everyone is dragging out rarely used garden hoses to save their gardens before water rationing is declared.

But now the England football team has been winning at the World Cup. You can complain about the government, optimistically refer to the “fine” weather as you sweat in your sandals and trousers cut with scissors at the knees (the train conductor had done this), or you can watch the football. So while in Cambridge, I heard there was an opportunity to view the quarter-finals at the air-conditioned cinema instead of in a pub, getting elbowed and beer-showered. You had to get the free tickets in the morning for the 14:30 match, so I did and got one before they ran out.

I’m a fair weather fan of big events: Olympics, Super Bowl, World Series, Wimbledon, World Cup. Not really a sports fan, but I had watched England win to get to this point, and wanted very much to see the match with other fans, instead of in my dorm room by myself. The two guys next to me drank copious amounts of beer. One spent most of the match in the beer line, while the other (after politely asking me whom I was rooting for) yelled at the players about everything they did, while the similarly-aged woman next to me told me she was rooting for England, of course, but weren’t those Swedish players handsome?

When England won, everyone was so happy and excited and completely ignoring the challenge of the semi-finals. The guys told me, “see you back here for the final!” Out in the streets people poured out of doorways, singing “It’s coming home!” (meaning the Cup, I assume) and flying flags and causing police to become concerned.

I was happy for England, and not just the team and the fans. Although I heard more people ostentatiously avoiding the football (and many calling it “soccer”, which seemed to be a slur), many more were totally engaged. It had been 12 years since England had made quarter-finals, and 28 years since they’d won one.

And my thought was how wonderful this was for a country torn apart by all the antipathies and mistrust that’s gone along with Brexit. British people, like Americans, woke up after election day to find the nation they’d thought of as united actually divided by deep rifts. I was not the only one to believe that the football was important as a unifier – I heard coach Gareth Southgate say so too, along with many others.

Tonight I’ll watch the semi-finals (in a living room with a friend and sports fan), and think of so many people doing the same, having this at least in common with the “other” Britain.

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